Sir Wilfrid nodded. Then some instinct told him that he had now exhausted the number of the initiated.
When the men reached the drawing-room, which was rather emptily waiting for the "reception" Mrs. Montresor was about to hold in it, Sir Wilfrid fell into conversation with Lord Lackington. The old man talked well, though flightily, with a constant reference of all topics to his own standards, recollections, and friendships, which was characteristic, but in him not unattractive. Sir Wilfrid noticed certain new and pitiful signs of age. The old man was still a rattle. But every now and then the rattle ceased abruptly and a breath of melancholy made itself felt--like a chill and sudden gust from some unknown sea.
They were joined presently, as the room filled up, by a young journalist--an art critic, who seemed to know Lord Lackington and his ways. The two fell eagerly into talk about pictures, especially of an exhibition at Antwerp, from which the young man had just returned.
"I looked in at Bruges on the way back for a few hours," said the new-comer, presently. "The pictures there are much better seen than they used to be. When were you there last?" He turned to Lord Lackington.
"Bruges?" said Lord Lackington, with a start. "Oh, I haven't been there for twenty years."
And he suddenly sat down, dangling a paper-knife between his hands, and staring at the carpet. His jaw dropped a little. A cloud seemed to interpose between him and his companions.
Sir Wilfrid, with Lady Henry's story fresh in his memory, was somehow poignantly conscious of the old man. Did their two minds hold the same image--of Lady Rose drawing her last breath in some dingy room beside one of the canals that wind through Bruges, laying down there the last relics of that life, beauty, and intelligence that had once made her the darling of the father, who, for some reason still hard to understand, had let her suffer and die alone?