"Whatever are you so late for?" she asked a little peevishly. "You'll get ill if you go missing your dinner."
"I couldn't help it, Minta, it was such a bad case."
Mrs. Hurd poured out the tea in silence, unappeased. Her mind was constantly full of protest against this nursing. Why should Miss Boyce do such "funny things"—why should she live as she did, at all?
Their relation to each other was a curious one. Marcella, knowing that the life of Hurd's widow at Mellor was gall and bitterness, had sent for her at the moment that she herself was leaving the hospital, offering her a weekly sum in return for a little cooking and house service. Minta already possessed a weekly pension, coming from a giver unknown to her. It was regularly handed to her by Mr. Harden, and she could only imagine that one of the "gentlemen" who had belonged to the Hurd Reprieve Committee, and had worked so hard for Jim, was responsible for it, out of pity for her and her children. The payment offered her by Miss Boyce would defray the expense of London house-rent, the children's schooling, and leave a trifle over. Moreover she was pining to get away from Mellor. Her first instinct after her husband's execution had been to hide herself from all the world. But for a long time her precarious state of health, and her dependence first on Marcella, then on Mary Harden, made it impossible for her to leave the village. It was not till Marcella's proposal came that her way was clear. She sold her bits of things at once, took her children and went up to Brown's buildings.
Marcella met her with the tenderness, the tragic tremor of feeling from which the peasant's wife shrank anew, bewildered, as she had often shrunk from it in the past. Jim's fate had made her an old woman at thirty-two. She was now a little shrivelled consumptive creature with almost white hair, and a face from which youth had gone, unless perhaps there were some traces of it in the still charming eyes, and small open mouth. But these changes had come upon her she knew not why, as the result of blows she felt but had never reasoned about. Marcella's fixed mode of conceiving her and her story caused her from the beginning of their fresh acquaintance a dumb irritation and trouble she could never have explained. It was so tragic, reflective, exacting. It seemed to ask of her feelings that she could not have, to expect from her expression that was impossible. And it stood also between her and the friends and distractions that she would like to have. Why shouldn't that queer man, Mr. Strozzi, who lived down below, and whose name she could not pronounce, come and sit sometimes of an evening, and amuse her and the children? He was a "Professor of Elocution," and said and sung comic pieces. He was very civil and obliging too; she liked him. Yet Miss Boyce was evidently astonished that she could make friends with him, and Minta perfectly understood the lift of her dark eyebrows whenever she came in and found him sitting there.
Meanwhile Marcella had expected her with emotion, and had meant through this experiment to bring herself truly near to the poor. Minta must not call her Miss Boyce, but by her name; which, however, Minta, reddening, had declared she could never do. Her relation to Marcella was not to be that of servant in any sense, but of friend and sister; and on her and her children Marcella had spent from the beginning a number of new womanish wiles which, strangely enough, this hard, strenuous life had been developing in her. She would come and help put the children to bed; she would romp with them in their night-gowns; she would bend her imperious head over the anxious endeavour to hem a pink cotton pinafore for Daisy, or dress a doll for the baby. But the relation jarred and limped perpetually, and Marcella wistfully thought it her fault.
Just now, however, as she sat gently swaying backwards and forwards in the rocking-chair, enjoying her tea, her mood was one of nothing but content.
"Oh, Minta, give me another cup. I want to have a sleep so badly, and then I am going to see Miss Hallin, and stay to supper with them."
"Well, you mustn't go out in them nursin' things again," said Minta, quickly; "I've put you in some lace in your black dress, an' it looks beautiful."
"Oh, thank you, Minta; but that black dress always seems to me too smart to walk about these streets in."