'Au revoir then. You must have had a peaceful summer with your books and your heather. I wish I had anything like the same digestion for work that you have; I never saw a man get as much pleasure out of his books as you do. To me, I confess, that work is always work, and idleness a joy!
'However, no more idleness for me for a good while to come. How grand she will be in that last act!—Where were my eyes last spring?—I wish there were a chance of her seeing much that is interesting in Paris. However, flat as September generally is, she will get some Molière at the Français, and your sister will take care that she sees the right people. Perrault, I hear, is to give her lessons—under the rose. Happy man!'
* * * * *
Kendal read this letter on a glowing August morning as he walked homeward along the side of the pond, where the shade of the fir-trees was a welcome protection against the rising heat, and the air was fragrant with the scent of the ling, which was just out in all its first faint flush of beauty. He threw himself down among it after he had finished the sheets, and stared for long at the sunlit motionless water, his hat drawn forward over his brows. So this was the outcome of it all. Isabel Bretherton was about to become a great actress,—Undine had found her soul!
It seemed to him, as he lay there buried in the ling, that during the past three weeks he had lived through a whole drama of feeling—a drama which had its beginning, its complications, its climax. While it had been going on he had been only half-conscious of its bearings, half-conscious of himself. Wallace's letter had made him sensible of the situation, as it concerned himself, with a decisive sharpness and completeness. There was no possibility of any further self-delusion: the last defences were overcome, the last veil between himself and the pursuing force which had overtaken him had fallen, and Kendal, with a shiver of pain, found himself looking straight into the wide, hungry eyes of Love! Oh, was this love,—this sore desire, this dumb craving, this restlessness of the whole being?
The bees hummed among the heather, every now and then a little brown-streaked lizard rustled faintly beside him, a pair of kingfishers flashed across the pond. But he saw and heard nothing, responsive as every sense in him commonly was to the details of the wild life about him. His own miserable reverie absorbed him. What was it that had made the charm of those early weeks in July immediately after his parting with her? What was it which had added zest to his work, and enchantment to the summer beauty of the country, and, like a hidden harmony dimly resonant within him, had kept life tuneful and delightful? He could put words to it now. It had been nothing less than a settled foresight, a deep conviction, of Isabel Bretherton's failure! What a treachery! But yes,—the vision perpetually before his eyes had been the vision of a dying fame, a waning celebrity, a forsaken and discrowned beauty! And from that abandonment and that failure he had dimly foreseen the rise and upspringing of new and indescribable joy. He had seen her, conscious of defeat and of the inexorable limits of her own personality, turning to the man who had read her truly and yet had loved her, surely, from the very beginning, and finding in his love a fresh glory and an all-sufficient consolation. This had been the inmost truth, the centre, the kernel of all his thought, of all his life. He saw it now with sharp distinctness,—now that every perception was intensified by pain and longing.
Then, as he went over the past, he saw how this consciousness had been gradually invaded and broken up by his sister's letters. He remembered the incredulous impatience with which he had read the earlier ones. So, Marie thought him mistaken! 'Isabel Bretherton would be an actress yet'—'she had genius, after all'—'she was learning, growing, developing every day.' Absurd! He, had been able to keep his critical estimate of the actress and his personal admiration of the woman separate from one another. But evidently Marie's head had been confused, misled, by her heart. And then, little by little, his incredulity had yielded, and his point of view had changed. Instead of impatience of Marie's laxity of judgment, what he had been fiercely conscious of for days was jealousy of Paul de Châteauvieux—jealousy of his opportunities, his influence, his relation towards that keen sweet nature. That, too, had been one of his dreams of the future,—the dream of tutoring and training her young unformed intelligence. He had done something towards it; he had, as it were, touched the spring which had set free all this new and unexpected store of power. But, if he had planted, others had watered, and others would reap. In this great crisis of her fortunes he had been nothing to her. Other voices and other hands had guided and directed her. Her kindly, grateful messages only stung and tortured him. They seemed to him the merest friendly commonplace. In reality her life had passed out of his ken; her nature had flowered into a new perfection, and he had not been there to see or to help. She would never connect him with the incidents or the influences which had transformed existence to her, and would probably irrevocably change the whole outline of her future. Once he had wounded and startled her, and had despaired for awhile of undoing the impression made upon her. But now he felt no quick anxiety, no fear how things might turn, only a settled flat consciousness of division, of a life that had once been near to his swept away from him for ever, of diverging roads which no kindly fate would ever join again.
For, by the end of this time of solitary waiting, his change of attitude was complete. It was evident to him that his anticipation of her failure, potent as it had been over his life, had never been half so real, half so vivid, as this new and strange foreboding of her true success. Marie must be right. He had been a mere blind hair-splitting pedant, judging Isabel Bretherton by principles and standards which left out of count the inborn energy, the natural power of growth, of such a personality as hers. And the more he had once doubted the more he now believed. Yes, she would be great—she would make her way into that city of the mind, in which he himself had made his dwelling-place; she, too, would enter upon the world's vast inheritance of knowledge. She would become, if only her physical frame proved equal to the demands upon it, one of that little band of interpreters, of ministers of the idea, by whom the intellectual life of a society is fed and quickened. Was he so lost in his own selfish covetous need as not to rejoice?
Oh, but she was a woman, she was beautiful, and he loved her! Do what he would, all ideal and impersonal considerations fell utterly away from him. Day by day he knew more of his own heart; day by day the philosopher grew weaker in him, and the man's claim fiercer. Before him perpetually were two figures of a most human and practical reality. He saw a great actress, absorbed in the excitement of the most stimulating of lives, her power ripening from year to year, her fame growing and widening with time; and beside this brilliant vision he saw himself, the quiet man of letters, with the enthusiasms of youth behind him, the calm of middle-age before him. What possible link could there be between them?
At last Wallace's letter cleared still further the issues of the conflict; or rather, it led to Kendal's making a fatalist compact with himself. He was weary of the struggle, and it seemed to him that he must somehow or other escape from the grip in which his life was held. He must somehow deaden this sense, this bitter sense of loss, if it were only by postponing the last renunciation. He would go back to his work and force himself not to hate it. It was his only refuge, and he must cling to it for dear life. And he would not see her again till the night of the first performance of Elvira. She would be in London in a month's time, but he would take care to be out of reach. He would not meet those glorious eyes or touch that hand again till the die was cast,—upon the fate of Elvira he staked his own. The decision brought him a strange kind of peace, and he went back to his papers and his books like a man who has escaped from the grasp of some deadly physical ill into a period of comparative ease and relief.