Robert Elsmere

by Mrs. Humphry Ward

A minute or two later Elsmere laid a hand on his friend's shoulder. 'Come and see the Hall, old fellow. It will be our last chance, for the squire and his sister come back this afternoon. I must parochialise a bit afterwards, but you shan't be much victimised.'

Langham submitted, and they sallied forth. It was a soft rainy morning, one of the first heralds of autumn. Gray mists were drifting silently across the woods and the wide stubbles of the now shaven cornfield, where white lines of reapers were at work, as the morning cleared, making and stacking the sheaves. After a stormy night the garden was strewn with débris, and here and there noiseless prophetic showers of leaves were dropping on the lawn.

Elsmere took his guest along a bit of common, where great black junipers stood up like magnates in council above the motley undergrowth of fern and heather, and then they turned into the park. A great stretch of dimpled land it was, falling softly towards the south and west, bounded by a shining twisted river, and commanding from all its highest points a heathery world of distance, now turned a stormy purple under the drooping fringes of the rain clouds. They walked downwards from the moment of entering it, till at last, when they reached a wooded plateau about a hundred feet above the river, the house itself came suddenly into view.

That was a house of houses! The large main building, as distinguished from the lower stone portions to the north which represented a fragment of the older Elizabethan house, had been in its day the crown and boast of Jacobean house-architecture. It was fretted and jewelled with Renaissance terra-cotta work from end to end; each gable had its lace work, each window its carved setting. And yet the lines of the whole were so noble, genius had hit the general proportions so finely, that no effect of stateliness or grandeur had been missed through all the accumulation of ornament. Majestic relic of a vanished England, the house rose amid the August woods rich in every beauty that site, and wealth, and centuries could give to it. The river ran about it as though it loved it. The cedars which had kept it company for well-nigh two centuries gathered proudly round it; the deer grouped themselves in the park beneath it, as though they were conscious elements in a great whole of loveliness.

The two friends were admitted by a housemaid who happened to be busy in the hall, and whose red cheeks and general breathlessness bore witness to the energy of the storm of preparation now sweeping through the house.

The famous hall to which Elsmere at once drew Langham's attention was, however, in no way remarkable for size or height. It told comparatively little of seignorial dignity, but it was as though generation after generation had employed upon its perfecting the craft of its most delicate fingers, the love of its most fanciful and ingenious spirits. Overhead, the stucco-work ceiling, covered with stags and birds and strange heraldic creatures unknown to science, had the deep creamy tint, the consistency and surface of antique ivory. From the white and gilt frieze beneath, untouched, so Robert explained, since the Jacobean days when it was first executed, hung Renaissance tapestries which would have made the heart's delight of any romantic child, so rich they were in groves of marvellous trees hung with red and golden fruits, in far-reaching palaces and rock-built citadels, in flying shepherdesses and pursuing shepherds. Between the tapestries, again, there were breadths of carved panelling, crowded with all things round and sweet, with fruits and flowers and strange musical instruments, with flying cherubs, and fair faces in laurel-wreathed medallions; while in the middle of the wall a great oriel window broke the dim venerable surfaces of wood and tapestry with stretches of jewelled light. Tables crowded with antiques, with Tanagra figures or Greek vases, with Florentine bronzes or specimens of the wilful vivacious wood-carving of seventeenth-century Spain, stood scattered on the Persian carpets. And, to complete the whole, the gardeners had just been at work on the corners of the hall, and of the great window, so that the hard-won subtleties of man's bygone handiwork, with which the splendid room was encrusted from top to bottom, were masked and relieved here and there by the careless easy splendour of flowers, which had but to bloom in order to eclipse them all.

Robert was at home in the great pile, where for many months he had gone freely in and out on his way to the library, and the housekeeper only met him to make an apology for her working dress, and to hand over to him the keys of the library bookcases, with the fretful comment that seemed to have in it the ghostly voice of generations of housemaids, 'Oh lor', sir, they are a trouble, them books!'

From the drawing-rooms, full of a more modern and less poetical magnificence, where Langham turned restless and refractory, Elsmere with a smile took his guest silently back into the hall, and opened a carved door behind a curtain. Passing through, they found themselves in a long passage lighted by small windows on the left-hand side.

'This passage, please notice,' said Robert, 'leads to nothing but the wing containing the library, or rather libraries, which is the oldest part of the house. I always enter it with a kind of pleasing awe! Consider these carpets, which keep out every sound, and look how everything gets older as we go on.'

For half-way down the passage the ceiling seemed to descend upon their heads, the flooring became uneven and woodwork and walls showed that they had passed from the Jacobean house into the much older Tudor building. Presently Robert led the way up a few shallow steps, pushed open a heavy door, also covered by curtains, and bade his companion enter.