'Well?' said Rose in anxiety, coming up to him.
'I have sent him away,' he said briefly, an eye of unusual quickness and brightness looking down upon her; 'he was in no condition to sing. He chose to be offended, apparently, because he was put out of his turn, and has been giving the servants trouble.'
Rose flushed deeply, and drew herself up with a look half trouble, half defiance, at Langham.
'I trust you will not ask him again,' he said, with the same decision. 'And if I might say so there are one or two people still here whom I should like to see you exclude at the same time.'
They had withdrawn into the bow window out of earshot of the rest of the room. Langham's look turned significantly towards a group near the piano. It contained one or two men whom he regarded as belonging to a low type; men who, if it suited their purpose, would be quite ready to tell or invent malicious stories of the girl they were now flattering, and whose standards and instincts represented a coarser world than Rose in reality knew anything about.
Her eyes followed his.
'I know,' she said petulantly, 'that you dislike artists. They are not your world. They are mine.'
'I dislike artists? What nonsense, too! To me personally these men's ways don't matter in the least. They go their road and I mine. But I deeply resent any danger of discomfort and annoyance to you!'
He still stood frowning, a glow of indignant energy showing itself in his attitude, his glance. She could not know that he was at that moment vividly realising the drunken scene that might have taken place in her presence if he had not succeeded in getting that man safely out of the house. But she felt that he was angry, and mostly angry with her, and there was something so piquant and unexpected in his anger!
'I am afraid,' she said, with a queer sudden submissiveness, 'you have been going through something very disagreeable. I am very sorry. Is it my fault?' she added, with a whimsical flash of eye, half fun, half serious.