"No; there is no function to-night. Lady Maxwell is at a meeting. It has grown rather suddenly from small beginnings, and two days ago they made her promise to speak. I came down because I am afraid of a row. Things are beginning to look ugly down here, and I don't think she has much idea of it. Will you come?"
"Of course."
Watton looked at him with an amused and friendly eye.
It was another instance of her power—that she had been able to bind even this young enemy to her chariot-wheels. He hoped Letty had the sense to approve! As a matter of fact, Watton had never, by his own choice, become well acquainted with his cousin Letty, and had always secretly marvelled at Tressady's sudden marriage.
CHAPTER XIV
The two men were soon on the top of the Mile End Road tramcar, on their way eastward. It was a hot, dull evening. The setting sun behind them was already swallowed up in mist, and the heavy air held down and made palpable all the unsavoury odours of street and shop. Before them stretched the wide, interminable road which was once the highway from the great city to Colchester and East Anglia. A broad and comely thoroughfare on the whole, save that from end to end it has now the dyed and patched look that an old village street inevitably puts on when it has been swallowed up by the bricks and mortar of an overtaking town.
Tressady looked round him in a reverie, interested in the place and the streets because she cared for them, and had struck one of her roots here. Strange medley everywhere—in this main street, at all events—of old and new! Here were the Trinity almshouses, with their Jacobean gables and their low, spreading quadrangle behind the fine ironwork that shelters them from the street—a poetic fragment from the days of Wren and Dryden, sore threatened now by an ever-advancing London, hungry for ground and space. Here was a vast mission-hall, there a still vaster brewery; on the right, the quiet entrance to the oldworld quiet of Stepney-Green; and to the left a huge flame-ringed gin-palace, with shops on either side, hung to the roof with carpets, or brooms, or umbrellas, plastered with advertisements, and blazing with gas. While in the street between streamed the ever-moving crowd of East London folk, jostling, chattering, loafing, doing their business or their pleasure, and made perpetually interesting, partly by their frank preoccupation with the simplest realities of life: with eating, drinking, earning, marrying, child-rearing; still more, perhaps, by the constant presence among them of that "leisured class" which, alike at the bottom and the top of things, has time to be gay, curious, and witty.
As he rolled along, watching the scene, Tressady thought to himself, as he had often thought before, that the East End, in many of its aspects, is a very decentish sort of place, about which many people talk much nonsense. He made the remark, carelessly, to Watton.
Watton shrugged his shoulders, and pointed silently to the entrances, right and left, of two side-streets, the typical streets of the East End: long lines of low houses,—two storeys always, or two storeys and a basement,—all of the same yellowish brick, all begrimed by the same smoke, every door-knocker of the same pattern, every window-blind hung in the same way, and the same corner "public" on either side, flaming in the hazy distance.
Watton hardly put his comment into words; but Tressady, who knew him well, understood, and nodded over his cigarette. Watton meant, of course, to suggest the old commonplace of the mean and dull monotony that weighs like a nightmare upon this vast East London and its human hive, which hums and toils, drones and feeds, by night and day, in these numberless featureless boxes of wood and stone, on this flat, interminable earth that stretches eastward to Essex marshes and southward to the river, and bears yellow brick and cemeteries for corn. Well! Tressady knew that the thought of this monotony, and of the thousands under its yoke, was to Watton a constant sting and oppression; he knew, too, or guessed, the religious effects it produced in him. For Watton was a religious man, and the action of the dream within showed itself in him and all he did. But why should everyone make a grief of East London? He was in the mood again to-night to feel it a kind of impertinence, this endless, peering anxiety about a world you never planned and cannot mend. Whose duty is it to cry for the moon?