The History of David Grieve

by Mrs. Humphry Ward

She tossed her head and insisted.

Talking very fast, and not very consecutively, she gave him an account, so far as she was able, of the life lived in this little town, a typical Lancashire town of the smaller and more homogeneous kind. All the people worked in two large spinning mills, or in a few smaller factories representing dependent industries, such as reed-making. Their work was pleasant to them. Lucy complained, with the natural resentment of the idle who see their place in the world jeopardised by the superfluous energy of the workers, that she could never get the mill girls to say that the mill hours were too long. The heat tried them, made appetites delicate, and lung mischief common. But the only thing which really troubled them was 'half-time.' Socially everybody knew everybody. They were passionately interested in each other's lives and in the town's affairs. And their religion, of a strong Protestant type expressed in various forms of Dissent, formed an ideal bond which kept the little society together, and made an authority which all acknowledged, an atmosphere in which all moved.

The picture she drew was, in truth, the picture of one of those social facts on which perhaps the future of England depends. She drew it girlishly, quite unconscious of its large bearings, gossiping about this person and that, with a free expenditure of very dogmatic opinion on the habits and ways which were not hers. But, on the whole, the picture emerged, and David had never liked her talk so well. The little self-centred thing had somehow been made to wonder and admire; which is much for all of us.

And she, meanwhile, was instantly sensible that she was in a happy vein, that she pleased. Her eyes danced under her pretty spring hat. How proud she was to walk with him—that he had come all this way to see her! As she shyly glanced him up and down, she would have liked the village street to be full of gazers, and was almost loth to leave the public way for the loneliness of the moor. What other girl in Wakely had the prospect of such a young man to take her out? Oh! would he ever, ever 'ask her'—would he even come again?

At last, after a steep and muddy climb, through uninviting back ways, they were out upon the moor. An apology for a moor in David's eyes! For the hills which surround the valley of the Irwell, in which Wakely lies, are, for the most part, green and rolling ground, heatherless and cragless. Still, from the top they looked over a wide and wind-blown scene, the bolder moors of Rochdale behind them, and in front the long green basin in which the Irwell rises. Along the valley bottoms lay the mills, with their surrounding rows of small stone houses. Up on the backs of the moors crouched the old farms, which have watched the mills come, and will perhaps see them go; and here and there a grim-looking colliery marked a fold of the hill. The landscape on a spring day has a bracing bareness, which is not without exhilaration. The wind blows freshly, the sun lies broadly on the hills. England, on the whole at her busiest and best, spreads before you.

They were still on the top when it occurred to them that they had a long walk in prospect—for they talked of getting to the source of the Irwell—and that it was dinner-time. So they sat down under one of the mortarless stone walls which streak the moors, and David brought out the meal that was in his pockets. They ate with laughter and chat. Pigeons passed overhead, going and coming from an old farm about a hundred yards away; the sky above them had a lark for voice singing his loudest; and in the next field a peewit was wheeling and crying. The few trees in sight were struggling fast into leaf. Nature even in this cold north was gay to-day and young.

Suddenly, in the midst of their meal, by a natural caprice and reaction of the mind, as David sat looking down on slate roofs and bare winding valley, across the pale, rain-beaten grass of the moor, all the northern English detail vanished from his eyes. For one suffocating instant he saw nothing but a great picture gallery, its dimly storied walls and polished floor receding into the distance. In front Velazquez' 'Infanta,' and before it a figure bent over a canvas. Every line and tint stood out. He heard the light varying voice, caught the complex grace of the woman, the strenuous effort of the artist.

Enough! He closed his eyes for one bitter instant; then raised them again to England and to Lucy.

There under the wall, while they were still lingering in the sun, he asked Lucy Purcell to be his wife. And Lucy, hardly believing her own foolish ears, and in a whirl of bliss and exultation past expression, nevertheless put on a few maidenly airs and graces, coquetted a little, would not be kissed all at once, talked of her father and the war that must be faced, and finally surrendered, held up her scarlet cheek for her lord's caress, and then sat speechless, hand in hand with him.

But Nature had its way. They rambled on, crossing the stone stiles which link the bare green fields on the side of the moor. When a stile appeared, Lucy would send him on in front, so that she might mount decorously, and then descend trembling upon his hand.