The History of David Grieve

by Mrs. Humphry Ward

And David, diving into the tin, brought out a hunch of bread and a knob of cheese. The voracity with which he fell on them, soon, with him also, stopped up the channels of speech. Louie, alarmed perhaps by the rapidity with which the mouthfuls disappeared, slid up on her heels and claimed her share. Never was there a more savoury meal than that! Their little den with its curtain felt warm for the moment after the keen air of the moor; the lantern light seemed to shut them in from the world, gave them the sense of settlers carving a home out of the desert, and milk which had been filched from Aunt Hannah lay like nectar in the mouth.

After their meal both children crept out on to the moor to see what might be going on in the world outside. Darkness was fast advancing. A rising wind swept through the dead bracken, whirled round the great grit boulders, and sent a shiver through Louie's thin body.

'It's cowd,' she said pettishly; 'I'm gooin back.'

'Did yo spose it wor gooin to be warm, yo little silly? That's why I browt t' rugs, of course. Gells never think o' nothin. It's parishin cowd here, neets—fit to tie yo up in knots wi th' rheumatics, like Jim Spedding, if yo doan't mind yorsel. It wor only laying out a neet on Frimley Moor—poachin, I guess—'at twisted Jim that way.'

Louie's countenance fell. Jim Spedding was a little crooked greengrocer in Clough End, of whom she had a horror. The biting hostile wind, which obliged her to hold her hat on against it with both hands, the black moor at their feet, the grey sweep of sky, the pale cloudy moon, the darkness which was fast enveloping them—blotting out the distant waves of hill, and fusing the great blocks of grit above them into one threatening mass—all these became suddenly hateful to her. She went back into their den, wrapped herself up in one of the tattered rugs, and crept sulkily into a corner. The lantern gleamed on the child's huddled form, the frowning brow, the great vixenish eyes. She had half a mind to run home, in spite of Aunt Hannah. Hours to wait! and she loathed waiting.

But gradually, as the rug warmed her, the passion for adventure and mystery—the vision of the mermaid—the hope of the blue cotton—reasserted themselves, and the little sharp face relaxed. She began to amuse herself with hunting the spiders and beetles which ran across the rocky roof above her head, or crept in and out of the crevices of stone, wondering, no doubt, at this unbidden and tormenting daylight. She caught one or two small blackbeetles in a dirty rag of a handkerchief—for she would not touch them if she could help it—and then it delighted her to push aside the curtain, stretch her hand out into the void darkness, and let them fall into the gulf below. Even if they could fly, she reflected, it must 'gie 'em a good start.'

Meanwhile, David had charged up the hill, filled with a sudden curiosity to see what the top of the Scout might look like by night. He made his way through the battlement of grit, found the little path behind, gleaming white in the moonlight, because of the quartz sheddings which wind and weather are forever teasing out of the grit, and which drift into the open spaces; and at last, guided by the sound and the gleam of water, he made out the top of the Downfall, climbed a high peat bank, and the illimitable plateau of the Scout lay wide and vast before him.

Here, on the mountain-top, there seemed to be more daylight left than on its rocky sides, and the moon among the parting clouds shone intermittently over the primeval waste. The top of the Peak is, so to speak, a vast black glacier, whereof the crevasses are great fissures, ebon-black in colour, sometimes ten feet deep, and with ten feet more of black water at the bottom. For miles on either side the ground is seamed and torn with these crevasses, now shallower, now deeper, succeeding each other at intervals of a yard or two, and it is they which make the crossing of the Peak in the dark or in mist a matter of danger sometimes even for the native. David, high on his bank, from which the black overhanging eaves curled inwards beneath his feet to a sullen depth of water, could see against the moonlit sky the posts which marked the track from the Downfall to the Snake Inn on the Glossop Road. Miss that track—a matter of some fifteen minutes' walk for the sturdy farmer who knows it well—and you find yourself lost in a region which has no features and no landmarks, where the earth lays snares for you and the mists betray you, and where even in bright sunshine there reigns an eternal and indescribable melancholy. The strangeness and wildness of the scene entered the boy's consciousness, and brought with them a kind of exaltation. He stood gazing; that inner life of his, of which Louie, his constant companion, knew as good as nothing, asserting itself.

For the real companions of his heart were not Louie or the boys with whom he had joked and sparred at school; they were ideas, images, sounds, imaginations, caught from books or from the talk of old 'Lias and Mr. Ancrum. He had but to stand still a moment, as it were, to listen, and the voices and sights of another world came out before him like players on to a stage. Spaces of shining water, crossed by ships with decks manned by heroes for whom the blue distance was for ever revealing new lands to conquer, new adventures to affront; the plumed Indian in his forest divining the track of his enemy from a displaced leaf or twig; the Zealots of Jehovah urging a last frenzied defence of Jehovah's Sanctuary against the Roman host; and now, last of all, the gloom and flames, the infernal palaces, the towering fiends, the grandiose and lumbering war of 'Paradise Lost': these things, together with the names and suggestions of 'Lias's talk—that whole crew of shining, fighting, haranguing men and women whom the old dreamer was for ever bringing into weird action on the moorside—lived in the boy's mind, and in any pause of silence, as we have said, emerged and took possession.

It was only that morning, in an old meal-chest which had belonged to his grandfather, James Grieve, he had discovered the old calf-bound copy of 'Paradise Lost,' which was now in one of his pockets, balanced by 'Anson's Voyages' in the other. All the morning he had been lying hidden in a corner of the sheepfold devouring it, the rolling verse imprinting itself on the boy's plastic memory by a sort of enchantment—