Ashe and his guests lingered late below-stairs. When, somewhere about one o'clock, he entered his dressing-room, he was suddenly alarmed by a smell of burning. It seemed to come from Kitty's room. He knocked hastily at her door.
"Kitty!"
No answer. He opened the door, and stood arrested.
The room was in complete darkness save for some weird object in the centre of it, on which a fire was burning, sending up a smoke which hung about the room. Ashe recognized an old Spanish brazier of beaten copper, standing on iron feet, which had been a purchase of his own in days when he trifled with bric-à-brac. Upon it, a heap of some light material, which fluttered and crackled as it burned, was blazing and smoking away, while beside it—her profile set and waxen amid the drifts of smoke, her fair hair blanched to whiteness by the strange illumination from below, and all her slight form, checkered with the light and shade of the fire, drawn into a curve of watchfulness, vindictive and intent—stood Kitty.
"What in the name of fortune are you doing, Kitty?" cried Ashe.
She made no answer, and he approached. Then he saw that in the centre of the pile, and propped up against some small pieces of wood, a photograph of Geoffrey Cliffe was consuming slow and dismally. The fire had just sent a line across his cheek. The lower limbs were already charred, and the right hand was shrivelling.
All around were letters, mostly consumed; while at the top of the pile above the culprit's head, stuck in a cleft stick, and just beginning to be licked by the flames, was what seemed to be a leaf torn out of a book. The book from which it had apparently been wrenched lay open on a chair near.
Kitty drew a long breath as Ashe came near her.
"Keep off!" she said—"don't touch it!"