"I say, Margaret, at last she does us some credit!" said Ashe, pointing to his wife.

Margaret started. Was it rouge?—or was it the strong air? Kitty's languor had entirely disappeared; she was more cheerful and more talkative than she had been at any time since their arrival. She chattered about the current scandals of Venice—the mysterious contessa who lived in the palace opposite their own, and only went out, in deep mourning, at night, because she had been the love of a Russian grand-duke, and the grand-duke was dead; of the Carlist pretender and his wife, who had been very popular in Venice until they took it into their heads to require royal honors, and Venice, taking time to think, had lazily decided the game was not worth the candle—so now the sulky pair went about alone in a fine gondola, turning glassy eyes on their former acquaintance; of the needy marchese who had sold a Titian to the Louvre, and had then found himself boycotted by all his kinsfolk in Venice who were not needy and had no Titians to sell—all these tales Kitty reeled out at length till the handsome gondoliers marvelled at the little lady's vivacity and the queer brightness of her eyes.

"Gracious, Kitty, where do you get all these stories from?" cried Ashe, when the chatter paused for a moment.

He looked at her with delight, rejoicing in her gayety, the slight touches of white which to-day for the first time relieved the sombreness of her dress, the return of her color. And Margaret wondered again how much of it was rouge.

At the Armenian convent a handsome young monk took charge of them. As George Sand and Lamennais had done before them, they looked at the printing-press, the garden, the cloister, the church; they marvelled lazily at the cleanliness and brightness of the place; and finally they climbed to the library and museum, and the room close by where Byron played at grammar-making. In this room Ashe fell suddenly into a political talk with the young monk, who was an ardent and patriotic son of the most unfortunate of nations, and they passed out and down the stairs, followed by Margaret French, not noticing that Kitty had lingered behind.

Kitty stood idly by the window of Byron's room, thinking restlessly of verses that were not Byron's, though there was in them, clothed in forms of the new age, the spirit of Byronic passion, and more than a touch of Byronic affectation—thinking also of the morning's telegram. Supposing Darrell's prophecy, which had seemed to her so absurd, came true, that the book did William harm, not good—that he ceased to love her—that he cast her off?...

... A plash of water outside, and a voice giving directions. From the lagoon towards Malamocco a gondola approached. A gentleman and lady were seated in it. The lady—a very handsome Italian, with a loud laugh and brilliant eyes—carried a scarlet parasol. Kitty gave a stifled cry as she drew back. She fled out of the room and overtook the other two.

"May we go back into the garden a little?" she said, hurriedly, to the monk who was talking to William. "I should like to see the view towards Venice."

William held up a watch, to show that there was but just time to get back to the Piazza, for lunch. Kitty persisted, and the monk, understanding what the impetuous young lady wished, good-naturedly turned to obey her.

"We must be very quick!" said Kitty. "Take us please, to the edge, beyond the trees."