"Geoffrey says he loves me. And I think he does, though how long it will last, or may be worth, no one can tell. As for me, I don't know whether I love him. I have no illusion about him. But there are moments when he absolutely holds me—when my will is like wax in his hands. It is because, I think, of a certain grandness—grandeur seems too strong—in his character. It was always there; because no one could write such poems as his without it. But now it's more marked, though I don't know that it makes him a better man. He thinks it does; but we all deceive ourselves. At any rate, he is often superb, and I feel that I could die, if not for him, at least with him. And he is not unlikely to die in some heroic way. He went out as you know simply as correspondent and to distribute relief, but lately he has been fighting for these people—of course he has!—and when he goes back he is to be one of their regular leaders. When he talks of it he is noble, transformed. It reminds me of Byron—his wicked life here—and then his death at Missolonghi. Geoffrey can do such base, cruel things—and yet—

"But I haven't yet told you. He asks me to go with him, back to the fighting-lines in upper Bosnia. There seems to be a great deal that women can do. I shall wear a nurse's uniform, and probably nurse at a little hospital he founded—high up in one of the mountain valleys. I know this will almost make you laugh. You will think of me, not knowing how to put on a button without Blanche—and wanting to be waited on every moment. But you'll see; there'll be nothing of that sort. I wonder whether it's hardship I've been thirsting for all my life—even when I seemed such a selfish, luxurious little ape?

"At the same time, I think it will kill me—and that would be the best end of all. To have some great, heroic experience, and then—'cease upon the midnight with no pain!...'

"Oh, if I thought you'd care very, very much, I should have pain—horrible pain. But I know you won't. Politics have taken my place. Think of me sometimes, as I was when we were first married—and of Harry—my little, little fellow!

"—Maman and I have had a ghastly scene. She came to scold me for my behavior—to say I was the talk of Venice. She! Of course I know what she means. She thinks if I am divorced she will lose her allowance—and she can't bear the thought of that, though Markham Warington is quite rich. My heart just boiled within me. I told her it is the poison of her life that works in me, and that whatever I do, she has no right to reproach me. Then she cried—and I was like ice—and at last she went. Warington, good fellow, has written to me, and asked to see me. But what is the use?

"I know you'll leave me the £500 a year that was settled on me. It'll be so good for me to be poor—and dressed in serge—and trying to do something else with these useless hands than writing books that break your heart. I am giving away all my smart clothes. Blanche is going home. Oh, William, William! I'm going to shut this, and it's like the good-bye of death—a mean and ugly—death.

"... Later. They have just brought me a note from Danieli's. So Margaret did write to you, and your mother has come. Why did you send her, William? She doesn't love me—and I shall only stab and hurt her. Though I'll try not—for your sake."

Two days later Ashe received almost by the same post which brought him the letter from Kitty, just quoted, the following letter from his mother:

"My DEAREST WILLIAM,—I have seen Kitty. With some difficulty she consented to let me go and see her yesterday evening about nine o'clock.

"I arrived between six and seven, having travelled straight through without a break, except for an hour or two at Milan, and immediately on arriving I sent a note to Margaret French. She came in great distress, having just had a fresh scene with Kitty. Oh, my dear William, her report could not well be worse. Since she wrote to us Kitty seems to have thrown over all precautions. They used to meet in churches or galleries, and go out for long days in the gondola or a fishing-boat together, and Kitty would come home alone and lie on the sofa through the evening, almost without speaking or moving. But lately he comes in with her, and stays hours, reading to her, or holding her hand, or talking to her in a low voice, and Margaret cannot stop it.