The Mating of Lydia

by Mrs. Humphry Ward

Nonsense! One could get a specialist from Edinburgh—from London if necessary.

And always, by whatever road, his thoughts came back—as it were leaping—to the gems. Amethyst, sardonyx, crystal—they twinkled and flashed through all the byways of the brain. So long as the house held their owner, it held them also. Two of them he had coveted for years. They must not—they should not—be lost to him again. By what ridiculous chance had this lad got hold of them?

With the morning came a letter from a crony of Melrose's in London, an old Fellow of the Society of Antiquaries, with whom he had had not a few dealings in the past.

"Have you heard that that queer fish Mackworth has left his whole cabinet of gems to a young nephew—his sister's son, to whom they say he has been much attached? Everything else goes to the British Museum and South Kensington, and it is a queer business to have left the most precious thing of all to a youth who in all probability has neither knowledge nor taste, and may be trusted to turn them into cash as soon as possible. Do you remember the amethyst Medusa? I could shout with joy when I think of it! You will be wanting to run the nephew to earth. Make haste!—or Germany or America will grab them."

But the amethyst Medusa lay safe in her green case in the drawer of the
Riesener table.

V

Duddon Castle in May was an agreeable place. Its park, lying on the eastern slopes of the mountain mass which includes Skiddaw and Blencathra, had none of the usual monotony of parks, but was a genuine "chase," running up on the western side into the heather and rock of the mountain where the deer were at home, while on the east and south its splendid oaks stood thick in bracken beside sparkling becks, overlooking dells and valleys of succulent grass where the sheep ranged at will. The house consisted of an early Tudor keep, married to a Jacobean house of rose-coloured brick, which Lady Tatham had since her widowhood succeeded in freeing from the ugly stucco which had once disguised and defaced it. It could not claim the classical charm, the learned elegance of Threlfall Tower. Duddon was romantic—a medley of beautiful things, full of history, colour, and time, fused by the trees and fern, the luxuriant creepers and mosses, and of a mild and rainy climate into a lovely irregular whole; with no outline to speak of, yet with nothing that one could seriously wish away. The size was great, yet no one but an auctioneer could have called it "superb"; it seemed indeed to take a pleasure in concealing the whole extent of its clustered building; and by the time you were aware of it, you had fallen in love with Duddon, and nothing mattered.

But if without, in its broad external features, Duddon betrayed a romantic freedom in the minds of those who had planned it, nothing could have been more orderly or exquisite than its detail, when detail had to be considered. The Italian garden round the house with its formal masses of contrasting colour, its pleached alleys, and pergolas, its steps, vases, and fountains, was as good in its way as the glorious wildness of the Chase. One might have applied to it the Sophoclean thought—"How clever is man who can make all these things!"—so diverse, and so pleasant. And indoors, Duddon was oppressive by the very ingenuity of its refinement, the rightness of every touch. No overcrowding; no ostentation. Beautiful spaces, giving room and dignity to a few beautiful objects; famous pictures, yet not too many; and, in general, things rather suggestive than perfect; sketches—fragments—from the great arts of the world; as it were, a lovely wreckage from a vast ocean set tenderly in a perfect order, breathing at once the greatness and the eternal defeat of men.

The interior beauty of Duddon was entirely due to Victoria, Lady Tatham, mother of the young man who now owned the Tatham estates. She had created it through many years; she had been terribly "advised," in the process, by a number of clever folk, English and foreign; and the result alternately pleased and tormented her. To be fastidious to such a point is to grow more so. And Victoria Tatham was nothing if not fastidious. She had money, taste, patience, yet ennui confronted her in many paths; and except for the son she adored she was scarcely a happy woman. She was personally generous and soft-hearted, but all "causes" found in her rather a critic than a supporter. The follies of her own class were particularly plain to her; her relations, with their great names, and great "places," seemed to her often the most ridiculous persons in the world—a world no longer made for them. But one must hasten to add that she was no less aware of her own absurdities; so that the ironic mind in her robbed her both of conceit for herself and enthusiasm for others.

Two or three days after the storming of Threlfall Tower, Lady Tatham came in from a mountain ramble at tea-time, expecting her son, who had been away on a short visit. She entered the drawing-room by a garden door, laden with branches of hawthorn and wild cherry. In her linen dress and shady hat she still looked youthful, and there were many who could not be got to admit that she was any less beautiful than she had ever been. These flatterers of course belonged to her own generation; young eyes were not so kind.