Fig. 16.—Apollo on his sacred tripod, a laurel branch in his hand.
(From a coin, probably of Delphi.)
More sacred even than the oak to Zeus was the laurel to Apollo. No sanctuary of his was complete without it; none could be founded where the soil was unfavourable to its growth. No worshipper could share in his rites who had not a crown of laurel on his head or a branch in his hand. As endowed with the power of the god, who was at once the prophet, poet, redeemer, and protector of his people, the laurel assumed an important and many-sided rôle in ceremonial symbolism.[76] The staff of laurel in the hand of the reciting poet was assumed to assist his inspiration, in the hand of the prophet or diviner to help him to see hidden things. Thus the use of the laurel played an essential part in the oracular ceremonial of Delphi. Everywhere, in short, the bearing of the laurel bough was the surest way to the god’s protection and favour. The conception was slow to die. Clement, writing about 200 A.D., still finds the warning necessary that “one must not hope to obtain reconciliation with God by means of laurel branches adorned with red and white ribbons.”[77]
By an easy transition the laurel became sacred also to Aesculapius. As the source at once of a valuable remedy and a deadly poison, it was held in high esteem by Greek physicians. It was popularly believed that spirits could be cast out by its means, and it was usual to affix a laurel bough over the doorway in cases of serious illness, in order to avert death and keep evil spirits at bay.[78]
The ceremonial use of the laurel passed from Greece into Italy. When the Sibylline books were consulted at Rome, the laurel of prophecy always adorned the chair of the priest.[79] Victors were crowned with laurel, and in Roman triumphs the soldiers decked their spears and helmets with its leaves.
The tree of Aphrodite was the myrtle.[80] It was held to have the power both of creating and of perpetuating love, and hence from the earliest times was used in marriage ceremonies. In the Eleusinian mysteries the initiates crowned themselves with the oak leaves of Zeus and the myrtle of Aphrodite. The Graces, her attendants, were represented as wearing myrtle chaplets, and her worshippers crowned themselves with myrtle sprays. At Rome Venus was worshipped under the name of Myrtea in her temple at the foot of the Aventine. The apple-tree held a subsidiary but yet important place in the cult of Aphrodite. Its fruit was regarded as an appropriate offering to her and, according to Theocritus, played its part in love games.[81] The apples of Atalanta had no doubt a symbolical significance.
Fig. 17.—Coin of Athens, of the age of Pericles or earlier, showing olive spray.
Fig. 18.—Coin of Athens, third century B.C.