Purgatory: Doctrinal, Historical, and Poetical

by Mrs. J. Sadlier

that he was heard to say: "I am certain that I am writing this Requiem for myself. It will be my funeral service." He never lived to finish it; the credit of having done so belongs to Sussmayer, a man of great musical attainments, and a most intimate friend of the Mozart family.— Dublin Review, Vol. I., May, 1836.

The allusion to the sibyl in the third line of the first stanza, "Teste David cum Sybilla," [1] has given rise to a good deal of anxious inquiry; and so very strange did it sound to French ears at its introduction into the sacred hymnology of the Church, that the Parisian rituals substituted in its place the line, Crucis expandens vexilla. The difficulty is, however, easily overcome if we bear in mind that many of the early Fathers held that Almighty God made use of these sibyls to promulgate His truths in just the same way as He did of Balaam of old, and many others like him. The great St. Augustine has written much on this subject in his "City of God;" and the reader may form some idea of the estimation in which these sibyls were held, when he is told that the world-renowned Michael Angelo made them the subject of one of his greatest paintings…. In the opinions of the ablest critics it was the Erythrean sibyl who uttered the celebrated prediction about the advent of our Divine Lord and His final coming at the last day to judge the living and the dead…. The part of the sibyl's response which referred particularly to the Day of Judgment was written (as an acrostic) on the letters of Soter, or Saviour. It is given as follows in the translation of the "City of God" of St. Augustine:

[Footnote 1: As David and Sibyls say.]

"Sounding, the archangel's trumpet shall peal down from heaven,
Over the wicked who groan in their guilt and their manifold sorrows,
Trembling, the earth shall be opened, revealing chaos and hell.
Every king before God shall stand on that day to be judged;
Rivers of fire and of brimstone shall fall from the heavens."

DANTE'S "PURGATORIO."

The bright sun was risen
More than two hours aloft; and to the sea
My looks were turned. "Fear not," my master cried.
"Assured we are at happy point. Thy strength
Shrink not, but rise dilated. Thou art come
To Purgatory now. Lo! there the cliff
That circling bounds it. Lo! the entrance there,
Where it doth seem disparted."…

Reader! thou markest how my theme doth rise;
Nor wonder, therefore, if more artfully
I prop the structure. Nearer now we drew,
Arrived whence, in that part where first a breach
As of a wall appeared. I could descry
A portal, and three steps beneath, that led
For inlet there, of different color each;
And one who watched, but spake not yet a word,
As more and more mine eye did stretch its view,
I marked him seated on the highest step,
In visage such as past my power to bear.
Grasped in his hand, a naked sword glanced back
The rays so towards me, that I oft in vain
My sight directed. "Speak from whence ye stand,"
He cried; "What would ye? Where is your escort?
Take heed your coming upward harm ye not."

"A heavenly dame, not skilless of these things,"
Replied the instructor, "told us, even now,
'Pass that way, here the gate is.'" "And may she,
Befriending, prosper your ascent," resumed
The courteous keeper of the gate. "Come, then,
Before our steps." We straightway thither came.

The lowest stair was marble white, so smooth
And polished, that therein my mirrored form
Distinct I saw. The next of hue more dark
Than sablest grain, a rough and singed block
Cracked lengthwise and across. The third, that lay
Massy above, seemed porphyry, that flamed
Red as the life-blood spouting from a vein.
On this God's Angel either foot sustained,
Upon the threshold seated, which appeared
A rock of diamond. Up the trinal steps
My leader cheerily drew me. "Ask," said he,
"With humble heart, that he unbar the bolt."
Piously at his holy feet devolved
I cast me, praying him, for pity's sake,
That he would open to me; but first fell
Thrice on my bosom prostrate. Seven times
The letter that denotes the inward stain,
He, on my forehead, with the blunted point
Of his drawn sword, inscribed. And "Look," he cried,
"When entered, that thou wash these scars away."
Ashes, or earth ta'en dry out of the ground,
Were of one color with the robe he wore.
From underneath that vestment forth he drew
Two keys, of metal twain; the one was gold,
Its fellow, silver. With the pallid first,
And next the burnished, he so plyed the gate,
As to content me well. "Whenever one
Faileth of these that in the key-hole straight
It turn not, to this alley then expect
Access in vain." Such were the words he spake.
"One is more precious, but the other needs
Skill and sagacity, large share of each,
Ere its good task to disengage the knot
Be worthily performed. From Peter these
I hold, of him instructed that I err
Rather in opening, than in keeping fast;
So but the suppliant at my feet implore."

Then of that hallowed gate he thrust the door.
Exclaiming, "Enter, but this warning hear:
He forth again departs who looks behind."