[15] Gen. xxxii. 1, 2; Ps. ciii. 21; 1 Kings xxii. 19; Job i. 6.
[16] Gen. xxii. 11; Exod. xiv. 19; Num. xx. 16; Gen. xxi. 17; Judg. xiii. 3; 2 Kings i. 3; Ps.xxxiv. 7; Judith xiii. 20.
[17] 2 Sam. xxiv. 16; 2 Kings xix. 35; Gen: xviii. 8; Num. xxii. 31; 1 Chron. xxi. 16; Gen. xix. 13.
[18] Calmet.
[19] Matt. xxvi. 53; Heb. xii. 22; Matt. xxii. 30; Luke xx. 36; Matt. xix. 24; Luke i. 11; Acts v. 19, et passim; Luke xv. 10; 1 Peter i. 12; Luke xvi. 22; Heb. i. 14; 1 Cor. xi. 10; Matt. i. 20, xvi. 27, xxv. 31.
[20] Rom. viii. 38; Col. i. 16; Ephes. i. 21.
[21] I know not whether it be necessary to observe here, that in early Art the souls of the blessed are not represented as angels, nor regarded as belonging to this order of spiritual beings, though I believe it is a very common notion that we are to rise from the dead with the angelic attributes as well as the angelic nature. For this belief there is no warrant in Scripture, unless Mark xii. 25 be so interpreted.
[22] Now in the Collection of Prince Wallerstein at Kensington Palace.
[23] Vasari, p. 648. Fl. edit.
[24] I saw in the palace of the Bishop of Norwich an elegant little bas-relief in alabaster, exhibiting the nine choirs, each represented by a single angel. The first (the Seraphim) hold the sacramental cup; the Cherubim, a book; the Thrones, a throne; the Principalities, a bunch of lilies; the Archangels are armed. The other attributes are not clearly made out.