[101] Rupertus, Commentar. in Apocal. c. 4. Mark xvi. 16.

[102] Fl. Acad.

[103] There is a small and beautiful picture by Giulio Romano in the Belvedere at Vienna, representing the emblems of the Four Evangelists grouped in a picturesque manner, which was probably suggested by Raphael’s celebrated picture, which is in the Pitti palace at Florence.

[104] Grosvenor Gallery.

[105] Dresden Gallery. No. 828.

[106] Paris, Bib. du Roi, No. 510.

[107] A.D. 1377. Eng. in Rossini, pl. 24.

[108] Designed by Titian, and executed by F. Zuccati.

[109] It is so like Giorgione in sentiment and colour that it has been attributed to him. For this expressive votive group, see the frontispiece to vol. ii., and the legends of the four patron saints above mentioned.

[110] Beneath the monument of Nicolò Orsini, in the SS. Giovanni-e-Paolo at Venice. A very remarkable and beautiful picture of this class is in the Berlin Gallery (No. 316). St. Mark, enthroned and holding his gospel open on his knees, is instructing three of the Procuradori di San Marco, who kneel before him in their rich crimson dresses, and listen reverently.