Over his lucid arms

A military vest of purple flowed

Livelier than Melibœan, or the grain

Of Sarra worn by kings and heroes old

In time of truce.

By his side,

As in a glittering zodiac, hung the sword,

Satan’s dire dread, and in his hand the spear.

A third St. Michael, designed by Raphael, exists only as an engraving.[71] The angel here wears a helmet, and is classically draped; he stands in an attitude of repose, his foot on the neck of the demon; one hand rests on the pummel of his sword, the other holds the lance.

It seems agreed that, as a work of art, there is only the St. Michael of Guido (in the Capuccini at Rome) which can be compared with that of Raphael; the moment chosen is the same; the treatment nearly the same; the sentiment quite different.