St. Mark attended by St. Gregory. St. Luke painting the Virgin.
St. John.
Lat. Sanctus Johannes. Gr. St. John Theologos, or the Divine. Ital. San Giovanni Evangelista. Fr. Saint Jean; Messire Saint Jehan. Ger. Der Heilige Johann. (Dec. 27, A.D. 99.)
Of St. Matthew, St. Mark, and St. Luke, so little is certainly known, that we have no data on which to found an individual portrait; therefore any representation of them as venerable and inspired teachers suffices to the fancy: but it is quite otherwise with St. John, the most distinguished of the evangelists, and the most beloved of the disciples of our Lord. Of him sufficient is known to convey a distinct impression of his personal character, and an idea of what his personal appearance may have been, supposing this outward semblance to have harmonised with the inward being.
He was the son of the fisherman Zebedee, and, with his brother James, among the first followers of the Saviour. He is emphatically called ‘the disciple whom Jesus loved;’ a preference which he merited, not only from the extreme purity of his life and character, but from his devoted and affectionate nature. He appears to have been at all times the constant companion of his divine Lord; and his life, while the Saviour was on earth, inseparable from His. In all the memorable circumstances recorded in the Gospel he was a party, or at least present. He witnessed the glory of the transfiguration; he leaned on the bosom of Jesus at the last supper; he stood by the cross in the hour of agony; he laid the body of his crucified Master in the sepulchre. After the death of the Virgin Mother, who had been confided to his care, he went about Judæa, preaching the Gospel with St. Peter. He then travelled into Asia Minor, where he founded the Seven Churches, and resided principally at Ephesus. During the persecution of the Christians under Domitian, St. John was sent in fetters to Rome; and, according to a tradition generally received in the Roman Church, he was cast into a cauldron of boiling oil, but was miraculously preserved, and ‘came out of it as out of a refreshing bath.’ He was then accused of magic, and exiled to the island of Patmos, in the Ægean Sea, where he is said to have written his Revelation. After the death of the Emperor Domitian he was released, and returned to his church at Ephesus; and for the use of the Christians there he is said to have written his gospel, at the age of ninety. A few years afterwards he died in that city, being nearly a century old. All the incidents here touched upon occur frequently as subjects of art, but most of them belong properly to the life of Christ.
The personal character of St. John, at once attractive and picturesque, has rendered him popular as a patron saint, and devotional pictures of him are far more numerous than of any of the other evangelists.
He is represented in one of his three characters: 1, as evangelist; 2, as apostle; 3, as prophet; or the three are combined in one figure.
1. Of the early eagle symbol, I have spoken at length.
In Greek Art, whether as apostle or evangelist, St. John is always an aged man with white hair, and a venerable beard descending to his breast; and by the earlier Latin painters, where he figures as evangelist only, not as apostle, this type has been adhered to; but the later painters set it aside, and St. John the Evangelist, nearly a century old, has all the attributes of the youthful apostle. He is beardless, with light curling hair, and eyes gazing upwards in a rapture of inspiration: he is sometimes seated with his pen and his book, sometimes standing; the attendant eagle always near him, and frequently holding the pen or inkhorn in his beak.