[!--Note--] 22 ([return])
Born at Nuremberg in 1494.
[!--Note--] 23 ([return])
See the admirable "Essay on the Early German and Northern Poetry," already alluded to.
[!--Note--] 24 ([return])
Anthony, the present king of Saxony. He is, however, in his dotage, being now in his eighty-fifth year.
[!--Note--] 25 ([return])
The description of Dresden and its environs, in Russel's Tour in Germany, is one of the best written passages in that amusing book—so admirably graphic and faithful, that nothing can be added to it as a description, therefore I have effaced those notes which it has rendered superfluous. It must, however, be remembered by those who refer to Mr. Russel's work, that a revolution has taken place, by which the king, now fallen into absolute dotage, has been removed from the direct administration of the government, and a much more popular and liberal tone prevails in the Estates: the two princes, nephews of the king, whom Mr. Russel mentions as "persons of whom scarcely any body thinks of speaking at all," have since made themselves extremely conspicuous;—Prince Frederic has been declared regent, and is apparently much respected and beloved; and Prince John has distinguished himself as a speaker in the Assembly of the States, and takes the liberal side on most occasions. A spirit of amelioration is at work in Dresden, as elsewhere, and the ten or twelve years which have elapsed since Mr. Russel's visit have not passed away without some salutary changes, while more are evidently at hand.
Mr. Russel speaks of the secrecy with which the sittings of the Chambers were then conducted: they are now public, and the debates are printed in the Gazette at considerable length.
[!--Note--] 26 ([return])
Augustus II. abjured the Protestant religion in 1700, in order to obtain the crown of Poland.
[!--Note--] 27 ([return])
The first tenor at Dresden in 1833.
[!--Note--] 28 ([return])
An opera by Franz Glazer of Berlin. The subject, which is the well-known story of the mother who delivers her infant when carried away by the eagle, or rather vulture of the Alps, might make a good melodrama, but is not fit for an opera—and the music is trainante and monotonous.
[!--Note--] 29 ([return])
Zingarelli composed his Romeo e Giulietta in 1797: Bellini produced the Capelletti at Venice in 1832, for our silver-voiced Caradori and the contr'alto Giudita Grisi, sister of that accomplished singer, Giulietta Grisi. Thirty-five years are an age in the history of music. Of the two operas, Bellini's is the most effective, from the number of the conceited pieces, without containing a single air which can be placed in comparison with five or six in Zingarelli's opera.
[!--Note--] 30 ([return])
Lord Byron.