Among the French packs the royal family are always distinguished by names which are plainly written on some part of the card; and these names vary according to the date of the pack, and seemingly through the caprice of the card-maker. French authors have traced the origin of these names to various celebrated personages, and find that they were assumed to do honour to the reigning monarchs of the period, their queens or mistresses, or some favourite hero of the hour, either real or fictitious; and the only limit to the variety of these names was the imagination of the designer.
A glance over any old collection of French cards will verify this assertion; but the fashion does not seem to have been followed in other countries, even in England, where the symbols of the French were adopted in preference to those used in Spain, Germany, and other places. Their Majesties of Cards were not dubbed with names, and if originally intended to represent some particular person (as some of them, notably the Kings and Queens, undoubtedly were), the names were not placed on the cards, and we have only tradition on which to rest the presumption that they were intended for any celebrated character either in history or fiction.
To return to the French cards, those for example which are supposed to have been made for Charles the Seventh bear no inscriptions but that of the maker’s name; but in a nearly contemporaneous pack the King of Diamonds is named Corsube, the King of Clubs Sans Souci, and he of Spades Apollin. This collection of names, says one writer, shows a triple influence,—the Eastern origin of the cards, in the first place, as they bear strange cognomens which are not French; in the second, the impression that the old romances of chivalry had made on the mind of the designer; and third, the reflection in them of contemporaneous events.
Many persons point to this pack as being the very one that was designed by Étienne Vignoles, or, as he was usually called, La Hire, or Chevalier, and declare that they are the oldest examples that bear the symbols of Hearts, Diamonds, Clubs, and Spades. Going back to the names borne by the card Kings, we fancy that we see that the one assumed by his Majesty of Spades (Apollin) was derived from that borne by an idol adored by the Saracens, which is mentioned in an epic poem of the period; and Corsube was a knight of Cordue (Corsuba), who was glorified by the romancers of that day. The names of the Queens and Knaves of this pack are those of celebrated historical characters.
Another old pack which belongs without doubt to the reign of Louis the Twelfth contains a King of Hearts named Charles, a King of Diamonds Cæsar, one of Clubs Artus, and of Spades David; and in a later one belonging to the commencement of the reign of Francis the First the King of Clubs has become Alexander.
About the time of the battle of Pavia and the captivity of the French King (Francis) in Spain and his marriage with the dowager Eleanor, the influence of Spanish and also of Italian fashions shows itself in many ways in the cards, and the names of the Kings are changed to Julius Cæsar, Charles, Hector, and David.
Under the reign of Henry the Second the names bestowed upon the cardboard sovereigns begin to resemble those borne by them in the French pack of the present day. The King of Diamonds is Cæsar; of Spades, David; and of Clubs, Alexander.
During the period when Henry the Third governed France the cards became the reflectors of the extravagant fashions of that effeminate reign. The Kings in card-land wore pointed beards, like the reigning monarch; their collars, like his, were stiffly starched; they had hats bearing long plumes, and their breeches were puffed out at the hips in a most extraordinary way; while, as if to make the figure look as slender and as womanly as possible, the doublet was pinched in at the waist; and they had peculiar boots, which were then the mode.
Henry the Fourth mounted the throne of France, and the card Kings immediately altered their costumes and their names, and reflected the aspect of his court, and the names of the heroes of the day were given to the gentlemen of the card circle.
The paper sovereigns generally mirrored the characteristics of the day; and when the successors of Henry the Fourth mounted the throne the change is at once shown in the cards, either by the names, the dresses, the weapons, or by all these. At one time Italian fashions and customs, imported by Marie de’ Medici, influenced them, and the names became Carel, Capet, Melun, etc.; and they change with amusing rapidity after her death.