Mamie, into the kitchen to devour in as short a time as possible the noon dinner, served by the grandmother: cabbage and hominy. "They don't have time 'nough to eat," the aunt says; "no sooner then they-all come in and bolt their dinner then it is time to go back." Her child has followed her. Minnie was married at thirteen; in less than a year she was a grass widow. "My goodness, there's lots of grass widows!" my frowsled hostess nods. "Why, in one weave-room hyar there ain't a gyrl but what's left by her husband. One day a new gyrl come for to run a loom and they yells out at her, 'Is you-all a grass widow? Yer can't come in hyar ef you ain't.'"
But it was after her grass widowhood that Minnie's tragedy began. The mill was her ruin. So much grace and good looks could not go, cannot go, does not go unchallenged by the attentions of the men who are put there to run these women's work. The overseer was father of her child, and when she tried to force from him recognition and aid he threw over his position and left Columbia and this behind him. This, one instance under my own eyes observed. There are many.
"Mamie works all night" (she spoke of the other girl)—"makes more money. My, but she hates the mills! Says she ain't ever known a restful minute sence she left the hills."
My hostess has drawn the same conclusion from my Northern appearance that the Joneses drew.
"
You-all must eat good where you come from! you look so healthy.' Do you-all know the Banks girl over to Calcutta?"
"No."
"They give her nine months." (Calcutta is the roughest settlement round here.) "Why, that gyrl wars her hair cut short, and she shoots and cuts like a man. She drew her knife on a man last week—cut his face all up and into his side through his lung. Tried to pass as she was his wife, but when they had her up, ma'am, they proved she had been three men's wives and he four gyrl's husbands. He liked to died of the cut. They've given her nine months, but he ain't the only man that bears her marks. Over to Calcutta it's the knife and the gun at a wink. This yere was an awful pretty gyrl. My Min seed her peekin' out from behind the loom in the weave-room, thought she was a boy, and said: 'Who's that yere pretty boy peekin' at me?' And that gyrl told Min that she couldn't help knife the men, they all worried on her so! 'Won't never leave me alone; I jest have to draw on 'em; there ain't no other way.'"...
For the annals of morality and decency do not take up this faithful account and picture the cotton-mill village. You will not find it in these scenes drawn from the life as it is at this hour, as it is portrayed by the words that the very people themselves will pour into your ears. Under the walls of
Calcutta Negroes are engaged in laying prospective flower beds, so that the thirteen-hour workers may look out from time to time and see the forms of flowers. On the other side rise some twenty shanties. These houses of Calcutta village are very small, built from the roughest unpainted boards. Here it is, in this little settlement, that the knife comes flashing out at a word—that the women shoot as well as men, and perhaps more quickly.