Leaving the line of flashing, whirling spools, I lean against the green box full of cotton refuse and regard the giant room.
It is a wonderful sight. The mill itself, a model of careful, well-considered building, has every facility for the best and most advantageous manufacture of textiles. The fine frames of the intricate "warping," the well-placed frames of the "drawing-in" all along the window sides of the rooms; then lines upon lines of spool frames. Great piles of stuff lie here and there in the room. It is early—"all the yarn ain't come yet." Two children whose work has not been apportioned lie asleep against a cotton bale. The terrible noise, the grinding, whirling, pounding, the gigantic burr renders other senses keen. By my side works a little girl of eight. Her brutal face, already bespeaking knowledge of things childhood should ignore, is surrounded by a forest of yellow hair. She goes doggedly at her spools, grasping them sullenly. She walks well on her bare, filthy feet. Her hands and arms are no longer flesh colour, but resemble weather-roughened hide, ingrained with dirt. Around the tangle of her hair cotton threads and bits of lint make a sort of aureole. (Her nimbus of labour, if you will!) There is nothing saint-like in that face, nor in the loose-lipped mouth, whence exudes a black stain of snuff as between her lips she turns the root she chews.
"She's a mean girl," my little companion says; "we-all don't hev nothin' to say to her."
"Why?"
"Her maw hunts her to the mill; she don't want to go—no, sir—so she's mad most the time."
Thus she sets her dogged resistance in scowling black looks, in quick, frantic gestures and motions against the machinery that claims her impotent childhood. The nimbus around her furze of hair remains; there are other heads than saints—there are martyrs! Let the child wear her crown.
Through the looms I catch sight of Upton's, my landlord's, little child. She is seven; so small that they have a box for her to stand upon. She is a pretty, frail, little thing, a spooler—"a good spooler, tew!" Through the frames on the other side I can only see her fingers as they clutch at the flying spools; her head is not high enough, even with the box, to be visible. Her hands are fairy hands, fine-boned, well-made, only they are so thin and dirty, and her nails—claws; she would do well to have them cut. A nail can be torn from the finger, is torn from the finger frequently[9], by this flying
spool.I go over to Upton's little girl. Her spindles are not thinner nor her spools whiter.
"How old are you?"
"Ten."