I have pledged myself to thee, and sacred is the gift. I remember your words. “You are now, Mary, going to mix with many, and for a moment I shall depart, but in the solitude of your chamber I shall be with you.” Yes, you are ever with me, sacred vision.

But ah! I feel in this was given
A blessing never meant for me,
Thou art too like a dream from heaven
For earthly love to merit thee.[4]

With this mutual consciousness, yet obliged inevitably to meet, thrown constantly in each other’s way, Mary obliged too to look on Shelley as her father’s benefactor and support, their situation was a miserable one. As for Shelley, when he had once broken silence he passed rapidly from tender affection to the most passionate love. His heart and brain were alike on fire, for at the root of his deep depression and unsettlement lay the fact, known as yet only to himself, of complete estrangement between himself and his wife.


CHAPTER V

June-August 1814

Perhaps of all the objects of Shelley’s devotion up to this time, Harriet, his wife, was the only one with whom he had never, in the ideal sense, been in love. Possibly this was one reason that against her alone he never had the violent revulsion, almost amounting to loathing, which was the usual reaction after his other passionate illusions. He had eloped with her when they were but boy and girl because he found her ready to elope with him, and because he was persuaded that she was a victim of tyranny and oppression, which, to this modern knight-errant, was tantamount to an obligation laid on him to rescue her. Having eloped with her, he had married her, for her sake, and from a sense of chivalry, only with a quaint sort of apology to his friend Hogg for this early departure from his own principles and those of the philosophic writers who had helped to mould his views. His affection for his wife had steadily increased after their marriage; she was fond of him and satisfied with her lot, and had made things very easy for him. She could not give him anything very deep in the way of love, but in return she was not very exacting; accommodating herself with good humour to all his vagaries, his changes of mood and plan, and his romantic friendships. Even the presence of her elder sister Eliza, who at an early period established herself as a member of their household, did not destroy although it did not add to their peace. It was during their stay in Scotland, in 1813, that the first shadow arose between them, and from this time Harriet seems to have changed. She became cold and indifferent. During the next winter, when they lived at Bracknell, she grew frivolous and extravagant, even yielding to habits of self-indulgence most repugnant to one so abstemious as Shelley. He, on his part, was more and more drawn away from the home which had become uncongenial by the fascinating society of his brilliant, speculative friend, Mrs. Boinville (the white-haired “Maimuna”), her daughter and sister. They were kind and encouraging to him, and their whole circle was cheerful, genial, and intellectual. This intimacy tended to widen the breach between husband and wife, while supplying none of the moral help which might have braced Shelley to meet his difficulty. His letters and the stanza addressed to Mrs. Boinville[5] show the profound depression under which he laboured in April and May. His pathetic poem to Harriet, written in May, expresses only too plainly what he suffered from her alienation, and also his keen consciousness of the moral dangers that threatened him from the loosening of old ties, if left to himself unsupported by sympathy at home. But such feeling as Harriet had was at this time quite blunted. She had treated his unsettled depression and gloomy abstraction as coldness and sullen discontent, and met them with careless unconcern. Always a puppet in the hands of some one stronger than herself, she was encouraged by her elder sister, “the ever-present Eliza,” the object of Shelley’s abhorrence, to meet any want of attention on his part by this attitude of indifference; presumably on the assumption that men do not care for what they can have cheaply, and that the best way for a wife to keep a husband’s affection is to show herself independent of it. Good-humoured and shallow, easy-going and fond of amusement, she probably yielded to these counsels without difficulty. She was much admired by other men, and accepted their admiration willingly. From evidence which came to light not many years later, it appears Shelley thought he had reason to believe she had been misled by one of these admirers, and that he became aware of this in June 1814. No word of it was breathed by him at the time, and the painful story might never have been divulged but for subsequent events which dragged into publicity circumstances which he intended should be buried in oblivion. This is not a life of Shelley, and the evidence of all this matter,—such evidence, that is, as has escaped destruction,—must be looked for elsewhere. In the lawsuit which he undertook after Harriet’s death to obtain possession of his children by her, he was content to state, “I was united to a woman of whom delicacy forbids me to say more than that we were disunited by incurable dissensions.”

That time only confirmed his conviction of 1814 is clearly proved by his letter, written six years afterwards, to Southey, who had accused him of guilt towards both his first and second wives.

I take God to witness, if such a Being is now regarding both you and me, and I pledge myself if we meet, as perhaps you expect, before Him after death, to repeat the same in His presence, that you accuse me wrongfully. I am innocent of ill, either done or intended, the consequences you allude to flowed in no respect from me. If you were my friend, I could tell you a history that would make you open your eyes, but I shall certainly never make the public my familiar confidant.