And who was this King of Rome, the only bearer of a noble name, and why was his birth so dear to the citizens of Paris? He was the son of Napoleon and the Archduchess Marie Louise, destined, so it was hoped, to carry on the work of his father and to bear the eagles triumphant through many a field of battle. And yet, if they could have looked forward twenty-one years, they would have seen a youth dying of consumption far from the country which he loved, after one of the saddest lives that perhaps any child ever knew.
But now, on the day of his birth, nobody dreamed of the doom that lay on him! Instead, he seemed the most fortunate baby in the whole world! He had a lady-in-waiting in charge of him and his numerous nurses, and chief attendant, the Comtesse de Montesquiou, 'Maman Quiou' as he called her in after-days; his room was hung with soft green silk curtains, with palm trees and golden lizards embroidered on them. He slept all night long, and part of the day too, in a cot shaped like a boat, with a gilded prow, and the green, myrtle broidered curtains that shaded him from the light were caught together by a wreath of golden laurels. In the room there was another cradle, more beautiful, given him by the City of Paris, which was to go with him by-and-by into exile, and can still be seen at the Palace of Schönbrunn. This cot had been the work of famous artists; Prud'hon had drawn the designs, and the most skilful sculptors and goldsmiths had carried them out. The curtains at his head were of lace, sprinkled with golden stars, and an eaglet, with outstretched wings, hovered over his feet.
When His Majesty the King of Rome was a month old, he was driven out to the palace of St. Cloud, where he lived with Madame de Montesquiou in rooms opening straight on to the gardens. Here, in the green and quiet, he grew strong, and able to bear the fatigues of his christening, which was celebrated in the Cathedral of Nôtre Dame, on June 9, with all the pomp suitable to the occasion. Once again the bells rang out, and all along the way troops took up their places. At five o'clock the Tuileries gardens were filled with carriages, and the procession began to form. The escort of troops rode first, and were followed by the gay-coated heralds and the officers of State, these last in carriages drawn by four horses. The Emperor's brothers and sisters came next, and after them was a pause, till the Imperial carriage, drawn by eight horses, hove in sight, containing Madame de Montesquiou, holding on her knees the King of Rome. His long robe was of white satin covered with lace; a little lace cap was on his head, and across his breast lay the red ribbon of the Legion of Honour. 'Long live Napoleon Francis Charles Joseph, King of Rome!' cried the heralds when the baptismal ceremony was over, and the Emperor, snatching the child from the arms of its mother, held him out to the crowd who thronged the church. 'Long live the King of Rome!' it cried in answer: then the procession re-formed, and returned to the Tuileries in the same order.
Marie Louise does not seem to have had the boy much with her, though Isabey, the famous artist, was constantly ordered to paint his picture, and it was his father whom he first learned to know. Napoleon had always been fond of playing with children; and before the birth of his own son, his nephews and nieces were constantly about him. Best of all, he had loved the little Napoleon Charles, son of his brother Louis, King of Holland, and Hortense Beauharnais, and Charles was never happier than when trotting about at 'Nanon's' side. Nanon was the pet name of Napoleon. Together they would go and feed the gazelles with tobacco—which (if strong) was very bad for the gazelles, and made them ill for a whole day after—or the Emperor would take him to parade, and Charles would cry, 'Long live Nanon the soldier!' And how proud Nanon was one day when Charles, who had been lost at a review held at Boulogne, was found wandering between the line of fire of the two armies, not a bit afraid of the guns.
Charles was a very nice little boy, and had been taught good manners by Queen Hortense. When he went into Nanon's dressing-room he did not pull about the things that were lying on the dressing-table, but sat still while he chattered to his uncle, or repeated some fable of La Fontaine's which he had learned the day before. He was a generous little fellow, and would readily give away his toys or sweets, and only laughed when Napoleon pulled his ears, instead of getting angry like his cousins, the little Murats. Every day he did his lessons, and was allowed sometimes, as a great treat, to copy out the 'Wolf and the Lamb,' or the 'Lion and the Mouse,' or the 'Goose with the Golden Eggs,' to show to Nanon. But by-and-by he had to say good-bye to Nanon and go back to his father and mother in Holland, where he fell ill and died, at the age of four and a half, in May 1807.
After Charles's death Napoleon made a pet of the dead child's younger brother, Napoleon Louis, though he never took the elder child's place in his uncle's heart. Still, the Emperor liked to have Louis about him, and swung him on to his knee at breakfast, and gave him bits of omelette or cutlet on his fork. Louis, of course, wanted to do everything his uncle did, and one day insisted on sipping his coffee, but he did not like it, and made a face. 'Oh, Louis!' cried the Emperor, 'your education is certainly not finished, as you have not learned how to hide your feelings.' The boy stared and grew rather cross, for he felt he was being laughed at, though he did not understand why. His temper was never as good as his brother's, and he often flew into a rage when Napoleon teased him, as he was very fond of doing. One morning, when Louis was three years old, he was breakfasting with the Emperor, and was just going to eat an egg, when Napoleon caught it up, and held it out of his reach. 'Give me my egg, or I will kill you,' said Louis, picking up a knife. 'Would you really kill your uncle?' asked Napoleon.
'Give me my egg, or I will kill you,' repeated Louis, louder than before; and Napoleon laughed and gave it back to him, and patted his head, saying, 'Ah, some day you will be a fine fellow!'
But now that he had a son of his own, who would by-and-by inherit the Empire he had created and tread in his footsteps, Napoleon could not make enough of him. He, too, came to breakfast, and, much to Madame de Montesquiou's disgust, the Emperor would dip his fingers in the red wine he was drinking, and give it to the baby to suck. The King of Rome would shrink away in terror from the bunch of nodding plumes on his mother's bonnet, but he smiled and crowed when his father lifted him in the air. Sometimes, however, the play got too rough, and the child would screw up the corners of his mouth and begin to cry. Then the Emperor would stop and look at him gravely, and say to him:
'What, Sire! are you crying? A king, and yet you cry! Oh, that is very bad! Kings don't cry!' and he would begin to make faces, which the baby loved, and it would break into smiles directly. The boy grew quickly, and at eight months old he was already trying to walk, but, on the other hand, he was very backward in talking. As he got older, he would often manage to escape from the nursery, and, running along the passage, knock with his fists on the door of the Emperor's study.