There was a little room—one of many under the roof—which contained one of the thirty pianos of the convent, and there Aurore was accustomed to practise for an hour daily. From its window could be seen a whole world of roofs, penthouses, sheds, and buildings of all sorts, covered with mossy tiles, and most tempting to the adventurous. It seemed quite reasonable that somewhere amongst the buildings should exist a staircase leading to the underground passages, and one fine, starlight night the demons met in the little music-room, and in a few minutes they had all scrambled from the window on to the roof six feet below them. From there they climbed over gables, jumped from one incline to another, and behaved in fact as if they were cats, taking care to hide behind a chimney or crouch in a gutter whenever they caught sight of a nun in the garden or courtyard beneath them.
They had managed to get a long way downwards when prayer-time drew near, and they knew they must begin their return journey. As the Latin proverb tells you, it is easy enough to go down, but what about getting back again? And to make matters worse, the demons had not the slightest idea where they were. Still, they contrived to retrace some of their footsteps and at last recognised to their joy the window of Sidonie Macdonald, daughter of the general. But to reach this window it was necessary to spring upwards a considerable distance, and the chances of hitting exactly the right spot were very few. Aurore, at any rate, almost lost her life in the attempt. She jumped in too great a hurry, and very nearly fell thirty feet through a skylight into a gallery where the little class were playing. As it was, her heel struck against the glass, and several panes went crashing in their midst. Clinging to the window-sill, with her knees scratched and bleeding, Aurore heard the voice of Sister Thérèse below accusing Whisky, Mother Alippe's big black cat, of fighting with his neighbours on the roof and breaking all the windows in the convent. Mother Alippe warmly denied that her cat ever quarrelled with anyone, and in spite of her wounds and her danger, Aurore burst into fits of laughter at the hot dispute, in which she was joined by Fanelly stretched in the gutter, and Mary lying in a 'spread-eagle' on the tiles, feeling about for her comb. They heard the nuns mounting the stairs, and discovery seemed inevitable.
Nothing of the sort, however, occurred. The overhanging gables preserved them from being seen, and as soon as they felt they were safe, the young demons began to mew loudly, so that Sister Thérèse proved triumphantly that she was right, and that the mischief had been caused by Whisky and his friends!
This being happily settled, the girls climbed at their leisure into the window where Sidonie was quietly practising her scales, undisturbed by the noise in the cat-world. She was a gentle, nervous child, who had no sympathy with a passion for roofs, and when a procession of demons entered her room she hid her face in her hands and screamed loudly. But before the nuns could hurry to the spot, the girls had dispersed in all directions, and, up to the end, the blame of the broken window was laid upon Whisky.
HOW AURORE LEARNT TO RIDE
When Aurore was old enough to leave the convent she went back to Nohant to live with her grandmother, who was failing fast and died the following year. Aurore was sixteen now, and things looked very different from what they did three years earlier. The trees were not so tall nor the garden so big as she remembered them; that was disappointing, no doubt. But on the other hand, what joy to do your hair as you liked without being told that no nice girl ever let her temples be seen; to wear a pink cotton frock instead of one of yellow serge, and to have as many cakes and sweet things as you wanted! Of course it had been terrible to part from your friends at the convent, but then at Nohant there were all those of long ago—and the dogs almost better than any friend! Then, too, it was delightful to be so changed that even M. Deschartres did not know you, and to be called 'Mademoiselle' by him and everyone else. At least it was delightful just at first, but soon it began to be tiresome to find the girls with whom you had climbed trees and played blind man's buff treating you very much as they treated your grandmother. No; decidedly there were some drawbacks to being 'grown up'!
For a few days Aurore ran about the country nearly as much as she had done in former years, but after a while she made plans for study, and drew up a time-table. History, drawing, music, English and Italian, had each its hour; but somehow when that hour struck there was always something else to be done, and Aurore's books were still unopened when, at the end of a month, Madame de Pontcarré and Pauline arrived on a visit.
Pauline was just the same as she had always been; 'growing up' had worked no transformation in her. She was pretty, pleasant, gentle as ever, and quite as indifferent to everybody. Indeed, she was still exactly the opposite of her mother, who had played with Aurore's father when she was a child, and in consequence was a great favourite with Madame Dupin. And now that Madame de Pontcarré was there, there was no more dreaming for Aurore. Instead, they all three took walks twice a day and studied music together. When they came in the evenings, they would sing airs from Gluck's beautiful old operas 'Armida' and 'Iphigenia' to Madame Dupin, whose criticisms and judgment were as good as of old. They even acted a play or, rather, a proverb to amuse the old lady, who was nevertheless a little shocked to see her granddaughter dressed as a boy. After that the Pontcarrés went away, and perhaps it was as well, for Madame Dupin was getting jealous of Aurore being so much with them.