Let me here cite four celebrated women who, differing from each other in every other particular, suffered in common from ill health.
The first in order of time is Madame du Deffand who was for many years the center of one of the most brilliant of the Eighteenth Century salons. Her correspondence with Voltaire, La Duchesse Choiseul and Horace Walpole is immortal and has been frequently republished. Many of her letters to Voltaire and all of those to Mme. de Choiseul and Horace Walpole were dictated when she was over sixty-seven years of age, broken in health and totally blind.
Rachel was the daughter of a poor Jew pedlar, and from the age of four she roamed the streets singing patriotic songs. A famous singing teacher heard her and, impressed by the crude power of the little creature, offered to teach her gratuitously. It is almost unbelievable to read of the excitement this small, plain Jewess created. She still lives in hundreds of books and is an integral part of the history of her period. If we can judge from contemporary praises, Rachel is the greatest actress of whom there is any record. She suffered from continual ill health and died of consumption in her thirty-seventh year.
Grace Darling was the daughter of a lighthouse keeper, and with her father braved almost certain death in attempting to save the survivors of the wreck of the Forfarshire. By well-nigh superhuman efforts they succeeded in rescuing a great number. This gallant exploit made them both famous. Grace Darling had always been delicate and died of consumption four years later.
Florence Nightingale, immortal nurse and one of the most influential women in history, had at the time of her greatest activity a body so weak that it was a wonder how a woman in such delicate health was able to perform so much of what Sidney Herbert called “a man’s work.” During many years of important achievement she was altogether bed-ridden. Working incessantly, writing, organizing, she was a power throughout the British Empire. Her influence has spread over the world; to her we owe the first idea of training nurses.
It is really curious that physical fitness should have become an ideal only after it had ceased to be the indispensable requirement of our environment. Piano-moving is perhaps the sole occupation to-day where strength is the only qualification, and intelligence of no account whatsoever; yet few of us aspire to become piano-movers!
The body is a most delicate machine and only in exceptional cases can it be kept through life in perfect condition, without an immense expenditure of time and trouble. Now, a perfect body should only be considered desirable, if it enables us to rise to greater heights of achievement. Countless people, however, regard health and vigor not merely as the means but as the goal itself. They tend and exercise their bodies at the expense of every other form of activity. The disproportionate amount of time, energy and aspiration that is wasted in attempting to perfect and preserve that which is inevitably doomed to destruction is incredible. A child building a castle on the sand is engaged in a more durable occupation. For the child, while erecting its tunnelled and turreted fortress, is at least attempting to realize some haunting dream of the heights, the depths, the mystery and magnificence of life. What matter the tide?—the vision is indestructible.
The Greeks regarded a beautiful body as an end in itself, because their civilization, by permitting its unveiling, allowed it to act as an inspiration to others. The nude, however, has no recognized place among us, and although it still serves to create beauty, it does so under restricted and abnormal conditions. To be a model is not a title to fame, nor the ideal of our most enlightened contemporaries.
I hope that I have proved conclusively that a splendid body is no longer a necessary means of enabling us to rise to the greatest heights either of ambition or of service. Why, therefore, should we so morbidly covet physical perfection?