Caroline. I do not understand the use of these refracting humours: the image of objects was represented in the camera obscura, without any such assistance.

Mrs. B. That is true; but the representation became much more strong and distinct, when we enlarged the opening of the camera obscura, and received the rays into it, through a lens.

I have told you, that rays proceed from bodies in all possible directions. We must, therefore, consider every part of an object which sends rays to our eyes, as points from which the rays diverge, as from a centre.

Emily. These divergent rays, issuing from a single point, I believe you told us, were called a pencil of rays?

Mrs. B. Yes. Now, divergent rays, on entering the pupil, do not cross each other; the pupil, however, is sufficiently large to admit a small pencil of them; and these, if not refracted to a focus, by the humours, would continue diverging after they had passed the pupil, would fall dispersed upon the retina, and thus the image of a single point, would be expanded over a large portion of the retina. The divergent rays from every other point of the object, would be spread over a similar extent of space, and would interfere and be confounded with the first; so that no distinct image could be formed, and the representation on the retina would be confused, both in figure and colour. [Fig. 3.] represents two pencils of rays, issuing from two points of the tree, A B, and entering the pupil C, refracted by the crystalline humour D, and forming on the retina, at a b, distinct images of the spot they proceed from. [Fig. 4.] differs from the preceding, merely from not being supplied with a lens; in consequence of which, the pencils of rays are not refracted to a focus, and no distinct image is formed on the retina. I have delineated only the rays issuing from two points of an object, and distinguished the two pencils in [fig. 4.] by describing one of them with dotted lines: the interference of these two pencils of rays on the retina, will enable you to form an idea of the confusion which would arise, from thousands and millions of points, at the same instant pouring their divergent rays upon the retina.

Emily. True; but I do not yet well understand, how the refracting humours, remedy this imperfection.

Mrs. B. The refraction of these several humours, unites the whole of a pencil of rays, proceeding from any one point of an object, to a corresponding point on the retina, and the image is thus rendered distinct and strong. If you conceive, in [fig. 3.], every point of the tree to send forth a pencil of rays, similar to those from A B, every part of the tree will be as accurately represented on the retina, as the points a b.

Emily. How admirably, how wonderfully, is this contrived!

Caroline. But since the eye absolutely requires refracting humours, in order to have a distinct representation formed on the retina, why is not the same refraction equally necessary, for the images formed in the camera obscura?

Mrs. B. It is; excepting the aperture through which we receive the rays into the camera obscura, is extremely small; so that but very few of the rays diverging from a point, gain admittance; but when we enlarged the aperture, and furnished it with a lens, you found the landscape more perfectly represented.