The more common Tazias are conveyed in the procession on the tenth day, and finally deposited with funeral rites in the public burial-grounds, of which there are several outside the town. These cemeteries are denominated Kraabaallah,[4] and the population of a large city may be presumed on by the number of these dispersed in the suburbs. They do not bury their dead in the vicinity of a mosque, which is held too sacred to be allowed the pollution. Any one having only touched a dead body, must bathe prior to entering the mosque, or performing their usual prayer-service at home;—such is the veneration they entertain for the name of God.
The opulent people of Mussulmaun society have an Emaum-baarah erected in the range of buildings exclusively denominated murdanah[5] (men's abode). The habitation of all Mussulmauns being composed of separate departments for the males and the females, communicating by private entrances, as will be explained hereafter.
The Emaum-baarah is a sacred place, erected for the express purpose of commemorating Mahurrum; the founder not unfrequently intends this also as the mausoleum for himself and family. But we generally find Mukhburrahs[6] (mausoleums) built in conspicuous situations, for the remains of kings, princes, nobles, and sainted persons. Of the latter, many are visited, at stated periods, by the multitude, with religious veneration, the illiterate attaching considerable importance to the annual pilgrimage to them; and where—to secure the influence of the particular saint's spirit, in furthering their views—mothers present their children, in numbers beyond all calculation; and each having something to hope for who visits the shrine, presents offerings of money and sweetmeats, which become the property of the person in charge of the tomb, thus yielding him a profitable sinecure, in proportion as the saint is popular amongst the ignorant.
An Emaum-baarah is a square building, generally erected with a cupola top, the dimensions guided by the circumstances of the founder. The floor is matted with the date-leaf mats, in common use in India, on which is spread a shutteringhie[7] (cotton carpet), and over this a clean white calico covering, on which the assembled party are seated, during the several periods of collecting together to remember their leaders: these meetings are termed Mudgelluss[8] (mourning assemblies). It would be esteemed indecorous or disrespectful to the Emaums, if any one in error called these assemblies Moollakhaut,[9] the usual term for mere worldly visiting.
The Tazia is placed against the wall on the side facing Mecca, under a canopy of rich embroidery. A reading-desk or pulpit (mhembur[10]) is placed in a convenient situation, for the reader to face Mecca, and his voice to be heard by the whole assembly of people; it is constructed of silver, ivory, ebony, &c. to correspond with the Tazia, if possible: the steps are covered sometimes with gold-cloth, or broad-cloth of black, or green,[11] if a Syaad's property, being the colour worn by that race for mourning. The shape of a mhembur is a flight of steps with a flat top, without any railing or enclosed place; the reader, in his recitings, occasionally sitting on the steps, or standing, as may be most convenient to himself.
On the walls of the Emaum-baarah, mirrors and looking-glasses are fixed in suitable situations to give effect to the brilliant display of light, from the magnificent chandeliers suspended from the cupola and cornices. The nobles and the wealthy are excited with a desire to emulate each other in the splendour of their display on these occasions;—all the mirrors, glass, lustres, chandeliers, &c. are brought together to this place, from their several stations in the mansion; and it is due to them to admit the effect to be often imposingly grand, and the blaze of light splendid. I have frequently been reminded in these scenes of the visionary castles conjured to the imagination, whilst reading 'The Arabian Nights' Entertainments'.
On each side the Tazia—the whole length of the wall—banners are ranged, in great variety of colour and fabric; some of them are costly and splendid. I have seen many constructed of the richest embroidery, on silk grounds, of gold and silver, with massy gold fringes, cords, and tassels; the staff is cased with gold or silver, worked into figures of birds and other animals, in every variety; the top of which has a crest, in some a spread hand,[12] in others a sort of plume, and not unfrequently a crest resembling a grenade, formed of the precious metals, and set with stones of great value.
On the base of the Tazia the several articles are placed conceived likely to have been used by Hosein at Kraabaallah; a turban of gold or silver tissue, a splendid sword and belt, the handle and hilt set with precious stones, a shield, the Arabian bow and arrows. These ancient emblems of royalty are indispensable in order to do honour to Hosein, in the view they take of his sovereign right to be the head or leader of the true Mussulmauns. Wax lights, red and green, are also placed in great numbers about its base, in silver or glass candlesticks; and censers of gold and silver, burning incense perpetually during Mahurrum. Many other minor tributes to the Emaums are discovered near the Tazia, as choice fruits and garlands of sweet-scented flowers, the offerings of ladies of the family to their relative's Tazia.
Amongst the poorer classes of the people an equal proportion of zealous spirit is evinced; and according to their several abilities, so they commemorate the period, interesting alike to all. Those who cannot compass the real splendour of an Emaum-baarah, are satisfied with an imitative one in the best hall their habitation affords; and, where mirrors and chandeliers are not available, they are content to do honour to the Emaums with lamps of uberuck, which in truth are pleasing substitutes at a small price: these lamps are made in a variety of pretty shapes, curiously painted, and ingeniously ornamented with cut paper; they burn oil in them, and, when well arranged, and diversified with their wonted taste, produce a good light, and pleasing effect.
The banners of Hosein, in the houses of the poor, are formed of materials according to their humble means, from tinsel imitations down to dyed muslin; and a similar difference is to be perceived in their selection of the metal of which their crests are made.