“What shall I do if that horrible footman opens the door?” she said to herself.

But things seldom turn out as bad as we picture them—or, rather, they seldom turn out as we picture them at all. The horrible footman did not make his appearance—men-servants of no kind were visible—the house seemed already in a half state of deshabille; only old Mrs Golding, the housekeeper, came forward, with many apologies and regrets that she had not known before of Mrs Greville’s and her friends’ coming. “Mr Petre had only just sent word,” and the carpets were up in the morning-room and library! So sorry, she chatted on, but she was thankful to take advantage of her master’s and Miss Cheviott’s absence, even for a day of two, to get some cleaning done.

“For a house like this takes a dell,” She added, pathetically, appealing to Mrs Greville, who answered good-humouredly that to be sure it must.

“But the best rooms are not dismantled, I suppose?” she inquired. “The great round drawing-room and the picture-gallery with the arched roof? Just like a Church,” she observed, parenthetically, to her companions; “that is what I want you so much to see. And the old part of the house, we are sure to see that, and it is really so curious.”

There was no “cleaning” going on in the great drawing-room, and Mrs Golding led the way to its splendours with unconcealed satisfaction. It was much like other big drawing-rooms, with an even greater air of formality and unusedness than is often seen.

Mary, who was not learned in old china, its chief attraction, turned away with little interest, and wished Mrs Greville would hasten her movements.

“What splendid old damask these curtains are,” she was saying to Mrs Golding. “One could not buy stuff like this nowadays.”

“No, indeed, ma’am,” said the housekeeper, shaking her head. “They must have been made many a long year ago. But they’re getting to look very dingy—Miss Alys’s always asking Mr Cheviott to refurnish this room. But it must have been handsome in its day—I remember being here once when I was a girl and seeing it all lighted up. I did think it splendid.”

“There are some very old rooms, are there not?” said Mary.

“Yes, miss, the tapestry rooms,” said Mrs Golding. “There’s a stair leading up to them that opens out of the picture-gallery—the only other way to them is through Mr Cheviott’s own rooms, and he always keeps that way locked, as no one else uses it. The stair runs right down to the side door on the terrace, so it’s a convenient way of getting in from the garden,” continued the communicative housekeeper. “But there’s not many in the house cares to go near those rooms, for they say the middle one’s haunted.”