“A hawk’s!” said Mrs Headfort, with a spark of reviving vivacity. “But, oh, Phil, the train is slackening. I wish you could have stayed with me.”
“It is much better not,” said Philippa, philosophically. “Very much better not. We should have gone on talking and forgetting the new state of things. My being in another compartment is the first act in the play—it will help us to realise it. And now, ma’am,” she continued, rising as she spoke, for by this time the train had stopped, “I had better leave you. I will come to see if you desire me for anything at the next station we stop at.”
Without the undue effort or constraint, which would have accompanied any complete change of tone for a prolonged period, she had managed slightly to modify her usual inflection of voice and manner of speaking. It was slower and more monotonous than its wont, with a slight suggestion of choosing her words, as might be done by an intelligent girl of a lower class with enough education to make her aspire to perfect correctness.
“All right, Phillis,” Mrs Headfort replied, with a somewhat pitiful and not very successful attempt at following her sister’s lead. “No,” she continued, with a sudden change of tone, “don’t speak to me. I can’t stand it! I will do my best to brace myself up to it, but it won’t be easy. Perhaps it is better for you to leave me alone.”
Philippa did not reply, except by a smile and a nod, feeling, to tell the truth, far less easy-minded than she looked. She was becoming conscious that till now she had not sufficiently taken into account Evelyn’s peculiar unfitness for acting a part of any kind; all she had directed her attention to having been the mere obtaining of her sister’s consent to her scheme.
“Yet, after all,” she thought to herself, as she stepped into the second-class compartment next door, “after all, all she will have to do will be very easy; there will be no acting involved. We shall hardly ever be seen together, and if her manner is constrained and peculiar, it will only be thought to be her way with servants. It isn’t as if we were going among people who had ever seen her before.”
With these reflections she did her best to quell her misgivings, and feeling that it would be better not to let her mind dwell too long on her own concerns, she looked about her for a little diversion.
There were two or three other occupants of the compartment, and her glance fell almost immediately on one of them who at once riveted her attention. This was a long-nosed, melancholy-eyed dachshund, whom Philippa’s judgment, experienced in matters pertaining to his family, straightway mentally labelled as a “perfect beauty.” In other words, as consistently and entirely ugly as the strictest connoisseur could demand.
Philippa loved dogs, and in general her amiable feelings towards them were reciprocated. She had a very tender association with dachshunds, the tragic death of one such pet having been literally the sorest grief of her childhood, and as she gazed on her four-footed fellow-traveller, whose soft eyes gazed back at her in return from the seat exactly opposite hers, where he was comfortably established in a corner, it was perhaps well for her that the blue-tinted spectacles hid the tears which involuntarily dimmed their surface.
Never since that terrible day—now, what the young girl would have called “so many, many years ago,” when the broken-hearted child had sobbed itself to sleep for the loss of her darling—never had she seen another dog so exactly like “Valentine.”