“Come quickly, Edmée,” he called out as he hurried back again, this time nearly tumbling over his sister as well, for she was employed in comforting little Roger, whose feelings had been much wounded.
“Pierre shan’t call you ‘little stupid!’” she said. “See, you have made him cry, poor dear: and he was so clever; he gathered such a lot of flowers all himself for the dear mother’s birthday.”
“Pierre was only in fun; Roger mustn’t cry,” said the big, elder brother, good-naturedly picking up the tiny one. “Where are Marie and Joseph? Come quick, all of you, we shall only have time to put up the wreaths before father comes in to supper.”
In another minute the five children were collected in the parlour, Pierre carefully locking the door inside when they had entered to secure against surprises. It was always with a certain awe that the young Marcels crossed the threshold of this room. They spoke in softer voices—they carefully wiped their thick shoes on the mat at the door—they would as soon have thought of romping or jumping in church as in here. And yet they themselves could hardly have explained why they felt so. The room, though pretty in a rather stiff way, was, after all, very simple. The wooden floor, to be sure, was polished like a mirror, and there were little lace curtains in the windows, which were never torn or soiled, for Madame Marcel took the greatest care of them, washing and getting them up twice a year with her own best caps, and never allowing Susette, the servant, to lay a finger on them. The brass handles of the old marble-topped chest of drawers were as bright as the copper pans in the kitchen, and so was the heavy old brass fender, behind which were the iron bars for the logs of wood which, on very rare occasions, such as New Year’s Day, or a marriage or christening feast, should it fall in winter, made a cheerful blaze up the old chimney. But the stiff hard sofa backed up against the wall, and the stiff hard chairs and arm-chairs standing round in a row, were no longer white as in the days of their long past youth, and the old-fashioned tapestry with which their seats and backs were covered had little colour left, and here and there a careful darning was plainly to be seen.
The children stood still and looked round them, as they always somehow did on first entering the room, as if they expected to discover something they had never seen before. Then said Pierre:
“How shall we do it? The same as last year—a wreath on the chimney-piece, and two smaller ones round the mirror and the little old portrait? Yes, I think that is the best.”
For there was a small, queerly-shaped mirror in a heavy, now dull, gilt frame on one side of the fire-place, and on the other, matching it, the object which the children regarded with more interest than anything in the room, “the little old portrait,” they called it among themselves, and “some day,” their father had promised them, they should be told its history. But all they knew at present was that it had been many, many years—not far off a hundred—in the best room of the old farmhouse.
It was the portrait of a little girl—a very little girl. She did not seem more than four or five years old: one dimpled shoulder had escaped from the little white frock, the fair hair brushed back from the forehead was tied with a plain white ribbon—nothing could be simpler. But there was a great charm about it: the eyes were so bright and happy-looking, the rosy mouth seemed so ready to kiss you—it looked what it was, the picture of a creature who had never known sorrow or fear.
“How pretty she is!” said Edmée, as she twisted the ivy-leaves round the frame, and a ray of sunshine fell on the little face. “I think she gets prettier and prettier—don’t you, Marie? I wonder when father and mother will tell us the story about her.”
Pierre stopped short in his part of the business, which was that of arranging the garland over the mantelpiece, to listen to what his sisters were saying.