There they were, rows and rows of them, each family by itself, the smaller birds higher up, the bigger ones nearer the ground, and at the end of each row, perched a little apart from the others, was the head bird of his tribe—these, as the fairies afterwards explained, being the monitors of each class.

But the queerest thing was, that every kind of bird was there, even such as we never think of as musical in any way, for down the central passage were strolling some magnificent peacocks, long red-legged storks; and in a large basin of water at the farther end, graceful swans, snowy ducks, and even homely gray-plumaged geese were contentedly enjoying themselves.

Hildegarde and Leonore gazed in surprise.

'Peacocks,' they exclaimed, 'peacocks and ducks and geese—why, none of them can sing!'

The fairy smiled.

'Ah,' she said, 'the ears that hear have something to do with true music; down below in your world it is not like here with us. Much that is true music sounds to you harsh and unlovely. Wait a little and you shall hear for yourselves.'


[CHAPTER IX]