But the letter seemed to add certainty to their own conviction.
THE CLOCK THAT STRUCK THIRTEEN.
"You misunderstand me wilfully, Helen. I neither said nor inferred anything of the kind."
"What did you mean then, for if words to you bear a different interpretation from what they do to me, I must trouble you to speak in my language when addressing me," angrily retorted a young girl, with what nature had intended to be a very pretty face with a charming expression, but which at the present moment was far from deserving the latter part of the description. Eyes flashing, cheeks burning and hands clenched in the excess of her indignation, stood Helen Beaumont by the window of her pretty little sitting-room, or "studio" as she loved to call it, presenting a striking contrast to the peaceful scene without; where a carefully tended garden still looked bright with the remaining flowers of late September. Her companion, standing in the attitude invariably assumed now-a-days by novelists' heroes, namely, leaning against the mantelpiece, was a young man of equally prepossessing appearance with her own. At first glance no one would have suspected him of sharing any of the young lady's excitement, for his expression was so calm as almost to merit the description of sleepy. Looking more closely, however, the signs of some unusual disturbance or annoyance were to be descried, for his face was slightly flushed and his blue eyes had lost the look of sweet temper evidently their ordinary expression.
"What I meant to say, Helen, was not, as you choose to misinterpret it, that I blame you for proper womanly courage and spirit, than which, I consider few things more admirable, nor as you are well aware do I admire the sweetly silly and affectedly timid order of young ladies. But this I do mean and repeat, that I think your persistence in this foolish scheme a piece of sheer bravado and foolhardiness, totally unworthy of any sensible person's approval, and what is more——"
"Thank you, Malcolm, or rather Mr. Willoughby, I have heard quite enough,"—and as she spoke, Helen turned from the window out of which she had been gazing while Malcolm spoke, with, it must be confessed, very little interest in the varied tints of the dahlias blooming in all their rich brilliance on the terrace,—"I have heard quite enough, and think myself exceedingly fortunate in having heard it now before it is too late. You may imagine," she continued, "that I am speaking in temper, but it is not so. I have for some time suspected, and now feel convinced, that we are not suited to each other. Your own words bear witness to your opinion of me, 'self-willed, foolhardy, unwomanly,' and I know not what other pretty expressions you have applied to me, and for my part I tell you simply that I cannot and will not marry a man whose opinion of what a woman should be is like yours; and who insults me constantly as you do, by telling me how far short I fall of his ideal. Marry your ideal, Malcolm Willoughby, and I shall wish you joy of her. Some silly little fool who dares not move a step alone in her bewitching helplessness. But do not think to convert me into such a piece of contemptible inanity," and so saying she turned towards the door.
"Helen," said Malcolm quietly, so quietly that Helen was arrested in spite of herself, "you are unjust, unreasonable and ungenerous. You know that I never cared for any woman but you, you know that nothing pleases me more than to witness your superiority in numberless particulars to the general run of girls, and you know too the pride and pleasure I take in your skill as an artist; but blinded by self-will you will not see the perfect reasonableness of my request that you will abandon this absurd expedition. If not for your own sake, at least do so for Edith's, who is as you know left in your special charge by Leonard."
The first part of this speech seemed, to judge by Helen's transparent countenance, likely to soften and move her, but the unlucky word "absurd" and the tone in which Malcolm spoke, as if it was necessary to remind her of her duty, effectually did away with any good result that his remonstrance might have worked. She turned, with her hand on the door, and saying, "I have told you my decision, Mr. Willoughby, and I wish you good-evening," left the room. Malcolm remained behind, lost in thought of no pleasurable nature. At last he too left the little sitting-room, after first ringing the bell and ordering his horse to be brought round. Making his way to the front entrance he there "mounted and rode away," his spirits, poor fellow, by no means the better for his visit.
It is time, I think, to explain the cause of the lovers' quarrel above described. Helen and Edith Beaumont were orphans, left to the guardianship of their brother Leonard, in whose house we have seen the former. Delicacy, induced by a severe illness some months previously, had obliged Mr. Beaumont, accompanied by his wife, to go for the autumn and winter months to the south of France, leaving his sisters at home under the nominal chaperonage of an elderly aunt, who performed her duty to the perfect satisfaction of her nieces by letting them do exactly as they liked. More correctly speaking, perhaps, exactly as Helen liked, for the younger of the two, Edith, a girl of seventeen and four years her sister's junior, could hardly be said to have likes or dislikes distinct from those of Helen. Possibly Mr. Beaumont might not have left the two to their own devices with so easy a mind, had he not quitted home happy in the knowledge of Helen's engagement to his friend and neighbour Malcolm Willoughby. The gentleman in question lived within a few miles of our heroine's home, having succeeded some years before to his father's property. His only sister, Mrs. Lindsay, was at this time living with him for a few months while awaiting her husband's return from India, and though some years older, was, next to her sister, Helen's most valued friend and companion. Malcolm Willoughby was a man of high character, peculiarly fitted, by his unusual amount of sterling good sense, to be the guide of an impulsive, enthusiastic girl like pretty Helen Beaumont, whom to know was to love, and who would have been altogether charming but for her inordinate amount of self-will and inveterate dislike to being, as she expressed it, "ordered" to do or not to do whatever came into her head. She and her sister had real talent as artists, and their spirited and well-executed landscapes bore but little resemblance to the insipid productions of most young lady painters. To improving herself in this direction Helen had devoted much time and labour. Unfortunately, it had so absorbed her thoughts and desires that in its pursuance she was inclined sometimes to forget what were for her more important avocations. Helen's fortunate engagement to Mr. Willoughby had for some time past corrected these only objectionable tendencies in her character, and all had gone smoothly and happily till the date at which our story commences, when, unluckily, some artist friends had filled her head with their descriptions of the exquisite autumn scenery, "effects of foliage," etc., to be seen in a mountainous and hitherto little explored part of Wales. Her imagination, and through her that of her sister Edith, ran wild on the subject, and now nothing would satisfy her but a journey to the spot in question, by themselves, in order that they might enjoy their freedom to the utmost, and revel in the delight of painting some of the wonderful Welsh scenery described to them. The idea had at first been mooted half in joke, but an impolitic expression of strong disapprobation on the part of Mr. Willoughby had done more to determine Helen on carrying it out than all the anticipated artistic enjoyment.