“My poor little baby, my little girl! open your eyes. Markham, I want to see the colour of her eyes.”
“As if I could open her eyes for you!” cried Markham with a strange outburst of sound, which, if he had been a woman, might have meant crying, but must have been some sort of a laugh, since he was a man. He seemed to walk away, and then came back again. “Come, Fan, that’s enough. Open your eyes, and look at us. I told you there was nothing to be frightened for.”
And then Frances raised herself; for, to her astonishment, she was lying down upon a sofa, and looked round her, bewildered. Beside her stood a little lady, about her own height, with smooth brown hair like hers, with her hands clasped, just as Frances was aware she had herself a custom of clasping her hands. It began to dawn upon her that Constance had said she was very like mamma. This new-comer was beautifully dressed in soft black satin, that did not rustle—that was far, far too harsh a word—but swept softly about her with the faintest pleasant sound; and round her breathed that atmosphere which Frances felt would mean mother to her for ever and ever,—an air that was infinitely soft, with a touch in it of some sweetness. Oh, not scent! She rejected the word with disdain—something, nothing, the atmosphere of a mother. In the curious ecstasy in which she was, made up of fatigue, wonder, and the excitement of this astounding plunge into the unknown, that was how she felt.
“Let me look at you, my child. I can’t think of her as a grown girl, Markham. Don’t you know she is my baby. She has never grown up, like the rest of you, to me. Oh, did you never wish for me, little Frances? Did you never want your mother, my darling? Often, often, I have lain awake in the night and cried for you.”
“Oh mamma!” cried Frances, forgetting her shyness, throwing herself into her mother’s arms. The temptation to tell her that she had never known anything about her mother, to excuse herself at her father’s expense, was strong. But she kept back the words that were at her lips. “I have always wanted this all my life,” she cried, with a sudden impulse, and laid her head upon her mother’s breast, feeling in all the commotion and melting of her heart a consciousness of the accessories, the rich softness of the satin, the delicate perfume, all the details of the new personality by which her own was surrounded on every side.
“Now I see,” cried the new-found mother, “it was no use parting this child and me, Markham. It is all the same between us—isn’t it, my darling?—as if we had always been together—all the same in a moment. Come up-stairs now, if you feel able, dear one. Do you think, Markham, she is able to walk up-stairs?”
“Oh, quite able; oh, quite, quite well. It was only for a moment. I was—frightened, I think.”
“But you will never be frightened any more,” said Lady Markham, drawing the girl’s arm through her own, leading her away. Frances was giddy still, and stumbled as she went, though she had pledged herself never to be frightened again. She went in a dream up the softly carpeted stairs. She knew what handsome rooms were, the lofty bare grandeur of an Italian palazzo; but all this carpeting and cushioning, the softness, the warmth, the clothed and comfortable look, bewildered her. She could scarcely find her way through the drawing-room, crowded with costly furniture, to the blazing fire, by the side of which stood the tea-table, like, and yet how unlike, that anxious copy of English ways which Frances had set up in the loggia. She was conscious, with a momentary gleam of complacency, that her cups and saucers were better, though! not belonging to an ordinary modern set, like these; but, alas, in everything else how far short! Then she was taken up-stairs, through—as she thought—the sumptuous arrangements of her mother’s room, to another smaller, which opened from it, and in which there was the same wealth of carpets, curtains, easy-chairs, and writing-tables, in addition to the necessary details of a sleeping-room. Frances looked round it admiringly. She knew nothing about the modern-artistic, though something, a very little, about old art. The painted ceilings and old gilding of the Palazzo—which she began secretly and obstinately to call home from this moment forth—were intelligible to her; but she was quite unacquainted with Mr Morris’s papers and the art fabrics from Liberty’s. She looked at them with admiration, but doubt. She thought the walls “killed” the pictures that were hung round, which were not like her own little gallery at home, which she had left with a little pang to her sister. “Is this Constance’s room?” she asked timidly, called back to a recollection of Constance, and wondering whether the transfer was to be complete.
“No, my love; it is Frances’ room,” said Lady Markham. “It has always been ready for you. I expected you to come some time. I have always hoped that; but I never thought that Con would desert me.” Her voice faltered a little, which instantly touched Frances’ heart.
“I asked,” she said, “not just out of curiosity, but because, when she came to us, I gave her my room. Our rooms are not like these; they have very few things in them. There are no carpets; it is warmer there, you know; but I thought she would find the blue room so bare, I gave her mine.”