A Widow's Tale, and Other Stories

by Mrs. Oliphant

"Oh!—Mademoiselle! what has become of her?" he said at last.

"She has a friend she goes to on Sundays—not every Sunday, but a day now and then. It is a great loss for me," said Mrs Wargrave, "for there are so many people that call on Sunday afternoon, and I have the children on my hands."

Charles Wargrave received this explanation very unsympathetically. He relapsed into silence, not taking the trouble to make himself agreeable, and he took a long walk afterwards, during which his curiosity and interest grew higher and higher. He tried all the means in his power to put out of his mind this unwelcome visitor: for she was unwelcome. Of all people in the world, persons in her position were the least likely to occupy this man of fashion. He began to feel it something like a calamity that he had been present on that unlucky occasion when Marian was so silly as to faint. No more absurd seizure of the fancy had ever happened. What was Mademoiselle to him, or he to Mademoiselle? And yet the unlucky fellow could not get her out of his head.

About a week later he went to the Square in the afternoon, whether wishing to see her or wishing not to see her it was difficult to say. He was told that Mrs Wargrave had gone up to have tea with the young ladies in the schoolroom, but could be called at once. It was a wet day, and probably she expected nobody. "With the young ladies in the schoolroom?" he repeated; "is there any one else?"

"There's only Mademoiselle," said the butler—"the governess, sir."

Charles Wargrave felt disposed to knock the fellow down for his impertinence; he had scarcely patience to desire him to show the way. How dared he speak of a lady so—a lady better than any one in the house, the pampered menial? He made the man an impatient sign to get out of the way when they came to the top of the house to the schoolroom door, which was sufficiently pointed out by the sound of cheerful voices within. He knocked, smiling to himself at the little Babel of noise, two or three speaking together; and was bidden to come in by a voice with a faint little parfum of foreignness in its sound, so faint as to be only discernible by the sharpest ears. A sudden flush came to his face as he heard it. It was not a voice, he thought, like the others. It was full of sweetness and yet of power—a voice round and harmonious like the notes of an organ, with nothing shrill or thin or common in it; a voice which suddenly brought before him again, not the dowdy governess, but the white-robed ministering angel. He felt himself flush with pleasure and expectation as he opened the door.

Mademoiselle was sitting opposite pouring out the tea. She had her back to the light, and he saw her in a kind of relief against the large window—the shape of her head, her hair a little loosened, not quite smoothed upon her brow, in the shining perfection of the other day. He saw her face in a luminous shadow, clear yet dusky, her eyes looking down, somewhat deeply set, the oval of their form and the hollow under the eyebrow clearly defined. She had not perceived him, nor did she even look up to see who was coming in in obedience to her invitation. It was only when the children made a sudden pause in their chatter with a cry of, "O Uncle Charles!" that Mademoiselle raised her eyes and stopped, with teapot in hand, to see who it was.

"Yes, it's me," he said, more cheerfully than grammatically. "I heard you were here, and I thought I'd ask Mademoiselle's permission to come in—and, perhaps, get a cup of tea——"

"Oh, come in, Charles," said Mrs Wargrave; "I'll answer for it you shall be welcome: we are all glad of anything to break the monotony of a long day."

Mademoiselle made no movement, gave no sign, except the faintest, scarcely perceptible bow of recognition. She found a clean cup for him and filled it with tea, calling one of her pupils to present it to him. She withdrew a little into the seclusion of her subordinate place while Mrs Wargrave took up the talk. It did not occur to the governess that she had anything to do with it. She had no great interest even in the visitor. The monotony of the long day was her natural atmosphere. She had no recognised need of anything to break it. Mrs Wargrave went on talking, and Mademoiselle heard and assisted now and then to keep the speakers going when she found that from the stranger, to whom the discourse was addressed, there was little response. And the children resumed their chatter sotto voce. As for Charles Wargrave, he sat still, saying very little, watching them all, but especially Mademoiselle, wondering how it was that such a woman could pass under a generic name, and bear, so far as the people around her were aware, no individuality at all. She withdrew from the centre of the scene, so to speak, in order to let the chief personages, Mrs Wargrave and her visitor, occupy it. Then, when it became necessary that there should be a response, or chorus, she disclosed herself by moments out of the background, just enough to keep up the action. He sat and watched them, watched her under his eyelids. Mrs Wargrave found Charlie more than usually taciturn, but felt that she was entertaining him—helping him to overcome his dulness, whatever might be the occasion of it. It never occurred to any one that he had another object, still less that his object could be in any way associated with Mademoiselle.