"Yes, Mademoiselle Claire." He had risen to his feet, and stood before her with a painful, whimsical consciousness that he could not bow like a Frenchman, which, perhaps, was the sort of thing to please her, shooting through his mind even in the excitement of the moment, and all the eager rush of feeling roused by seeing her again in this new phase.

Claire was too much startled to know what she was saying. A flood of strange feelings seemed to carry her away. Her head, which she had carried with such airy grace, drooped; something seemed to dazzle her eyes. "I did not expect," she said, faltering, "to see you here."

"I have come—to seek the protection of your mother," he said. It was said in English, but the meaning was French. And there was something so strange in the idea of Madame Castel's protection—the shabby, eager, old lady—extended to this young man, who had everything that life could bestow, that Claire, after a hard effort to restrain herself, and with something hysterical climbing in her throat, suddenly broke the embarrassment of the situation by the most inappropriate thing in the world—a burst of unsteady laughter, which returned again and again, and would not be quieted. "My mother's protection!"

It was the ridiculous which follows so close upon the heels of the sublime. But though she laughed, Claire foresaw how it would be: Madame Castel's protection threw such a weight into the scales on Charles Wargrave's side that there was scarcely anything more to say. He was not sent away again. He remained, and found the little shabby apartment divine. It was his turn to laugh when they compared notes and found that even the obstacle of age meant nothing more than a few days. And thus this little drama, so exciting while it lasted, came to a speedy and satisfactory end. It is the penalty of a happy dénoûment that it is not half so interesting as the painful steps that sometimes lead to it; and Claire, in all the brilliancy of her late but perfect good fortune, was too happy to mind or to attract that sympathy which attended Mademoiselle.

The Leicester Wargraves found it a bitter experience when Mademoiselle returned as Madame, with a finer house, finer carriages, more social honours, than themselves. They said everything which she had herself predicted to Mrs Wargrave that they would say, calling her a designing woman, an artful adventuress, and half-a-dozen slanders more. But if anybody was harmed by their proceedings it was themselves, and not Claire.


THE LILY AND THE THORN.

CHAPTER I.

The Murrays of Overbeck, in the parish of Waterdale, among the hills, were nothing but a family of peasants. Nevertheless they were the cause of so much trouble and confusion that no ducal house could have done more to excite and interest the neighbourhood, which is the reason why we now attempt to give a sketch of their earlier story. The later part of it has, alas, by other means and in other ways, been blazoned before all the world.

Elizabeth Murray, the mother, was always considered a woman out of the common. She was tall and strong and handsome even in her old age, and in her youth it was said she had been as powerful as a man, doing many feats of strength altogether beyond the power of either men or women of ordinary calibre. She it was from whom the children took their beauty. It was not beauty of the full-blown rustic kind, but that of finer quality, the only true beauty, perhaps, in the formal meaning of the word: that which involves regularity and nobleness of features rather than the evanescent charms of complexion and colour. Elizabeth was not even exalted enough in position to be called Mrs Murray. She was addressed by everybody by her Christian name. She was a woman who drove her beasts to the field, milked her cows and churned her butter with her own hands, and would hoe and dig her potatoes without flinching, had there been need. But she had the carriage and bearing of a queen, and a majestic style of form and feature such as few queens possess. When she stood in the little market-place in Waterside, with her eggs and chickens for sale, she might have been a Roman matron—Portia, stately in old age, or the mother of Coriolanus. It was said that there was Gipsy blood in her veins, and no one knew where she came from, or how it was that a peaceable countryman like Abel Murray should have wanted to marry her. There were many who did not hesitate to say that she had driven the poor man to death. But it is easy to say such things, and very difficult to prove them. If her strength, high spirit, and imperious temper were too much for him, Abel Murray was not the man to say it; but he died, nevertheless, leaving her open to such accusations, as he might have done had he married a white maiden with no character at all. But he left all he had in her hands, with the three little children, who were as yet too young to be anything but encumbrances; and Elizabeth had worked for her children like a slave, like a heroine. All that they had in the world was a little house among the hills, far from all other habitations of men, and a few bare, unproductive fields, less profitable than they were sacred, as having been "in the family" for generations. Here the widow toiled and struggled alone, telling nobody of her privations and indebted to nobody, making out of her few cows and her poultry-yard enough to support her children and bring them safely through the simple dangers of childhood. From dangers more serious, however, where is the mother, however exalted, who can defend her sons and daughters? She was absolutely and passionately devoted to them, and during all the best years of her life toiled for them night and day; and if afterwards, when those perils befell them which she could not guard them from, Elizabeth, used to sacrifice everything in her own person, became selfish for her children and exacted sacrifices from others, such as she herself felt it natural to make, may not a little pity mingle with the blame her fault deserved? The passion of motherhood does not bear so high a place among human passions as it once was supposed to do, being set down now as a sort of animal instinct merely, we are told. But high or low, it is a very great and strong and overwhelming sentiment, and now and then works harm enough as well as good.