'I think some one might have come to meet us at the station,' she said. 'Ned might have come. He is a boy, and can go anywhere. I am sure, mamma, we would have gone to make them feel a little at home. Where is the Gatehouse? What is that place over there? Why there are shops—a draper's and a confectioner's—and a library! I am very glad there is a library. Mamma, I think I shall like it; is that the common far away yonder? Do you remember any of the people? I should like to know some girls if you will let me. There is little Clara, of course, who is my cousin. Do you think we shall live here always, mamma?'

Norah did not ask nor, indeed, look for any answer to this string of questions. She made a momentary pause of courtesy to leave room for a reply, should any come; but Helen's thoughts were full of the past, and as she made no answer Norah resumed the strain.

'It looks very cheerful here, mamma; though it is a village, it does not look dull. I like the red tiles on the cottages and all this red-brick; perhaps it is a little hot-looking now, but in winter it will be so comfortable. Shall we be able to get our things here without going to town? That seems quite a good shop. I wonder what Mrs Burton and Clara do? But then they are so rich, and we are—poor. Shall I be able to have any lessons, mamma? Can I go on with my music? I wonder if Clara has a governess. She will think it very strange that you should teach me. But I am very glad; I like you better than twenty governesses. Mamma, will it make any difference between Clara and me, them being so rich and us so poor?'

'Oh, Norah, I cannot tell you. Don't ask so many questions,' said Helen.

Norah was wounded; she did not give up her mother's hand, but she loosed her hold of it to show her feelings. She had been very sympathetic, very quiet, and respectful of the grief which in its intensity was beyond her; and now she seemed to herself to have a right to a little sympathy in return. She could understand but dimly what was in her mother's mind; she did not know the associations of which Dura was full; and it was hard to be thus stopped short in that spring of renovating life. As she resigned herself to silence, a feeling of injury came over her; and here, just before her eyes, suddenly appeared a picture of life so different from hers. She saw a band of children gathered about the gate of a house, which stood at a short distance from the road, surrounded by shrubberies and distinguished by one great splendid cedar which stretched its glorious branches over the high garden wall behind, and made a point in the landscape. A lady was driving a little pony-carriage through the open gate, while the children stood watching and waving their hands to her. 'Good-bye, mamma,' 'Don't be long,' 'And mind you bring back Clara with you,' they were calling to her. With a wistful sense of envy Norah gazed and wondered who they were, and if she should ever know them. 'Why are people so different?' she asked herself. She had nobody in the world but her mother, lost behind that crape veil, lost in her own thoughts, who told her not to ask questions, while those other little girls had a smiling mamma in a pretty pony-carriage, who was taking one to drive with her, and was to bring Clara back to see them. Which Clara? Was it the Clara who belonged to Norah, her own cousin, to whom she had a better right than any one? Norah's heart sank as she realized this. No doubt Clara must have many friends; she could not stand in need of Norah as Norah did of her. She would be a stranger, an interloper, a new little girl whom nobody knew, whom nobody perhaps would care to know. Tears came to the child's eyes. She had been a woman last night rising to the height of the tragedy in which her little life was involved; but now Nature had regained its sway, and she was only twelve years old. It was while her mind was occupied with these thoughts that her mother interrupted them, suddenly pressing her hand.

'Norah, this is our house, where we are to live,' said Helen. Her voice faltered, she held the child's hand as if for support. And now they were at their own door.

Norah gazed at it with a certain dismay. She, too, like Mr Haldane, had her theory about a house in the country. It must be like Southlees, she thought, though without the river; or perhaps, as they had grown poor, it might be something a little better than the lodge at Southlees, a little cottage; but she had never dreamed of anything like this tall red-brick house which twinkled at her with all its windows. She was awed and chilled, and a little frightened, as she crossed the road. Susan was standing at the open door parleying with the porter about their boxes, which she declined to admit till 'the family' came. The one fear which possessed Susan's life, the fear of being 'put upon,' was strong in her at this moment. But she set the balance straight for Norah, by making a sudden curtsey, which tempted the child so sorely to laughter, that her eyes began to shine and her heart to rise once more. She ran up the white steps eagerly before her mother. 'Oh, mamma, I am first. I can say welcome to you,' she said.

But the sight of the drawing-room, into which Susan ushered them, solemnly closing the door after them, struck a moment's chill to Norah's heart. It seemed so strange to be thus shut in, as if it was not their own house but a prison. It was afternoon, and the sunshine had all gone from that side of the road, and the graceful, old-fashioned room looked dim and ghostly to eyes which had just come out of the light. The windows all draped with brown and grey, the old-fashioned slim grand piano in the corner ('I shall have my music,' said Norah), the black japanned screen with its funny little pictures, the high carved mantelpiece with that square mirror which nobody could see into, puzzled the child, at once attracting and repelling her. There was another round, convex mirror like a shield, on the side wall, but even that did not enable Norah to see herself, it only made a little twinkling picture of her in a vast perspective of drawing-room. Helen had seated herself as soon as the door was shut, and there was she, too, in the picture like a lady come to call. What a strange, dim, ghostly place it was! The bumping of the boxes as they went up-stairs was a comfort to Norah. It was a sound of life breaking the terrible silence. She asked herself what would happen when it was over. Should they fall under some charm and sleep there, like the enchanted princess, for a hundred years? And to think that all this was within reach of that lady in the pony-carriage, and of her children who waved their hands to her!—so near, yet in a different world.

'Mayn't we go and see the house, mamma?' Norah whispered, standing close to her mother's side. 'Shouldn't you like to see where we are to sleep? Shouldn't you like to get out of this room? It frightens me so; it feels like a prison. Oh, mamma! perhaps it would not look so strange—and so—dull—and so—funny,' cried Norah, feeling disposed to cry, 'if you would take your bonnet off.'

Just at this moment there was a sound in the road which stirred the whole village into life, and roused Norah. She ran to the window to see what it was. It was an event which happened every evening, which all the children in Dura ran to see, though they were so familiar with it. It was Mr Burton driving his high-stepping bays home from the station. He had come by the express made on purpose for him and such as him, which arrived half-an-hour later than the train by which the Drummonds had come. Norah climbed up on her knees on a chair to see over the little old-fashioned blinds. There was some one seated by Mr Burton in the dog-cart, some one who looked at the Gatehouse, as Mr Burton did, while they dashed past. At the sight of him Norah started, and from a little fantastical child became a woman all at once again. It was the young man who the day before had been with Mr Golden at St Mary's Road, he who had heard her father's vindication, and had believed it, and 'was on our side,' Norah felt, against all the world.