“Brownlow, are you mad?” he said; “good heavens! if it was any body but you I should think it was softening of the brain.”
“It may be softening of the brain,” said Mr. Brownlow, cheerfully; “I don’t know what the symptoms are. What’s wrong?”
“What’s wrong?” said the Rector—he had to stop and pour himself out a glass of wine to collect his faculties—“why, it looks as if you meant it. Send your clerk off with your child, a young fellow like that, as if they were equals! Your clerk! I should not permit it with my Fanny, I can tell you that.”
“Do you think Sara will run away with him?” said Mr. Brownlow, smiling. “I feel sure I can trust him not to do it. Why, what nonsense you are speaking! If you have no more confidence in my little friend Fanny, I have. She would be in no danger from my clerk if she were to see him every day, and show him all the pictures in the world.”
“Oh, Fanny,—that is not the question,” said the Rector, half suspicious of the praise, and half pleased. “It was Sara we were talking of. I don’t believe she would care if a man was a chimney-sweep. You have inoculated her with your dreadful Radical ideas—”
“I? I am not a Radical,” said Mr. Brownlow; and he still smiled, though he entered into no farther explanation. As for the Rector, he gulped down his wine, and subsided into his neck-cloth, as he did when he was disturbed in his mind. He had no parallel in his experience to this amazing indiscretion. Fanny?—no; to be sure Fanny was a very good girl, and knew her place better—she would not have offered to show the Claude, though it had been the finest Claude in the world, even to a curate, much less to a clerk. And then it seemed to Mr. Hardcastle that Mr. Brownlow’s eyes looked very heavy, and that there were many tokens half visible about him of softening of the brain.
Meanwhile Sara went sweeping along the great wide fresh airy passages, and through the hall, and up the grand stair-case. Her dress was of silk, and rustled—not a vulgar rustle, like that which announces some women offensively wherever they go, but a soft satiny silvery ripple of sound, which harmonized her going like a low accompaniment. Young Powys had only seen her for the first time that day, and he was a reasonable young fellow, and had not a thought of love or love-making in his mind. Love! as if any thing so preposterous could ever arise between this young princess and a poor lawyer’s clerk, maintaining his mother and his little sisters on sixty pounds a year. But yet, he was a young man, and she was a girl; and following after her as he did, it was not in human nature not to behold and note the fair creature, with her glistening robes and her shining hair. Now and then, when she passed through a patch of sunshine from one of the windows, she seemed to light up all over, and reflect it back again, and send forth soft rays of responsive light. Though she was so slender and slight, her step was as steady and free as his own, Canadian and backwoodsman as he was; and yet, as she moved, her pretty head swayed by times like the head of a tall lily upon the breeze, not with weakness, but with the flexile grace that belonged to her nature. Powys saw all this, and it bewitched him, though she was altogether out of his sphere. Something in the atmosphere about her went to his head. It was the most delicate intoxication that ever man felt, and yet it was intoxication in a way. He went up stairs after her, feeling like a man in a dream, not knowing what fairy palace, what new event she might be leading him to; but quite willing and ready, under her guidance, to meet any destiny that might await him. The Claude was so placed in the great drawing-room, that the actual landscape, so far as the mild greenness of the park could be called landscape, met your eye as you turned from the immortal landscape of the picture. Sara went straight up to it without a pause, and showed her companion where he was to stand. “This is the Claude,” she said, with a majestic little wave of her hand by way of introduction. And the young man stood and looked at the picture, with her dress almost touching him. If he did not know much about the Claude at the commencement, he knew still less now. But he looked into the clear depths of the picture with the most devout attention. There was a ripple of water, and a straight line of light gleaming down into it, penetrating the stream, and casting up all the crisp cool glistening wavelets against its own glow. But as for the young spectator, who was not a connoisseur, his head got confused somehow between the sun on Claude’s ripples of water, and the sun as it had fallen in the hall upon Sara’s hair and her dress.
“It is very lovely,” he said, rather more because he thought it was the thing he ought to say than from any other cause.
“Yes,” said Sara; “we are very proud of our Claude; but I should like to know why active men like papa should like those sort of pictures; he prefers landscapes to every thing else—whereas they make me impatient. I want something that lives and breathes. I like pictures of life—not that one everlasting line of light fixed down upon the canvas with no possibility of change.”
“I don’t know much about pictures,” said Powys—“but yet—don’t you think it is less natural still to see one everlasting attitude—like that, for instance, on the other wall? people don’t keep doing one particular thing all their lives.”