But upon a sofa, at a little distance, Rose, with a fresh morning face, and pretty muslin gown, is spreading out Harry’s present—the rich, grave-coloured silk, which has been made into a dress for Martha. And Martha suffers herself to smile, and says it’s only fault is that it is too good, and that the bairns will not know her when she has it on. Katie Calder, at Rose’s side, draws out the folds reverentially, and says, with awe, under her breath, that it is “awfu’ bonnie;” but Violet sits on the carpet at Martha’s feet, and thinks about the lady at the well.
For this is a holiday, and the children have no dread of school or lessons before their unembarrassed eyes. In the next room sits a Stirling dressmaker, who has condescended to come out to Allenders, to make up into gowns the glittering silks of Harry’s present; and Katie has already spent an hour in the temporary work-room, appearing now and then, to report the shape of a sleeve, or to exhibit a specimen of some superlative “trimming.” It is quite a jubilee to Katie.
But Violet, in an oriental attitude, like a small sultana, sits on the carpet, and stoops both head and shoulders over the book on her knee; which book, for lack of a better, happens to be a quaint essay of Sir Thomas Browne’s. All the light literature contained in the old Laird of Allenders’ book-shelves, has been devoured long ago, and Violet concluded “Hydrotaphia” to be better than sermons—a conclusion which she is now slightly inclined to doubt. But Lettie is a little dreamy and meditative this morning, and is thinking of Dragon’s story, and of Lady Violet’s ballad; wondering, too, with secret excitement, whether she could make a ballad herself, and repeating over and over again a single ecstatic verse about the moon, of her own composition, which Violet thinks, with a thrill, sounds very like poetry. When Martha stops to thread her needle, she lays her hand caressingly upon Lettie’s head, and bids her sit erect, and not stoop so much; and Lettie is almost encouraged to repeat this verse to her, and hear whether Martha thinks it is like poetry—almost—but she never is quite sufficiently bold.
The door opens with a little commotion, and Agnes, with care on her brow, comes hurriedly in. The room has been so perfectly peaceful that you feel at once the disturbing element, when the young wife enters, for Agnes is excited, impatient, perturbed. She has just been having a controversy with Harry, and comes here, half crying, at its close.
“He says he’s going to Edinburgh to-day with Gilbert Allenders; I hate Gilbert Allenders,” said the little wife, in a sudden burst. “He is always leading Harry away. He is going to the races, and yet he says he doesn’t care a straw for the races. Oh, will you speak to him, Martha!”
“It is better not, Agnes: he will take his own way,” said Martha. “It is best I should not interfere.”
“He says we all heard Gilbert Allenders ask him, and that I knew well enough he intended to go, and that you knew, Martha. I told Harry I was sure you did not; and what pleasure will he have at the races?”
“I wish Gilbert Allenders were in America, or in China—or in London, if he likes it better,” said Rose quickly.
“That’s because he wants to fall in love with you,” said Agnes, with a light laugh, diverted for the moment by the fervour of Rose’s good wishes for the fascinating Gilbert; “but I am sure I would not care where he was, if he was only away from Harry; and Harry does not like him either. Rose, we’re to try to gather a big basket of strawberries for Mrs. Charteris, and I think, maybe, Martha, if Harry goes there, that he may get no skaith in Edinburgh.”
Rose came shyly to the table. “If it had only been a week sooner! or if we had not pulled so many berries on Saturday!”