She was feeling her way along the wall to the gate. It was very dark, and they were like shadows, small, vague, under the black canopy of the tree. She kept him away with her outstretched arm which he felt rather than saw.
"I never knew it—I never knew it," she said, with sobs. "I am going to Catherine to ask her pardon on my knees."
"Hester, for God's sake don't be a fool— To Catherine! You mean to send out after me, to stop me, to betray me! but by——"
The oath never got uttered, whatever it was. Another figure, tall and shadowy, appeared behind them in the opening of the gate. Edward gave one startled look, then flung from him the hand of Hester which he had grasped unawares, and hurried away towards the town, with the speed of a ghost. He flung it with such force that the girl's relaxed and drooping figured followed, and she fell before the third person, the new comer, and lay across the gateway of the Grange, half stunned, not knowing at whose feet she lay.
Edward hastened onward like a ghost speeding along the dark road. He was miserable, but the greatest misery of all was to think that even now at the last moment he might be brought back—he might be stopped upon the edge of this freedom for which he longed. He wanted Hester, he wanted happiness, and he had lost them—but there was still freedom. Had there been only the risks of the crisis, the meeting of alarmed and anxious creditors, the chance even of criminal prosecution, he might have faced it; but to return again to that old routine, to take up his former life, was impossible. He flew along like the wind. There was still an hour or more before the train would start. Would the women gather themselves together, he wondered, soon enough to send after him, to prevent his journey? As much to avoid that risk as to occupy the time, which he did not know what else to do with, he resolved to walk to the junction, which was at a distance of two or three miles. So strange is the human constitution, that even at this tragic and sombre moment he almost enjoyed the dark night walk, though it was that of a fugitive; the present is always so near us, so palpable, so much more apparent than either the future or the past. He arrived at the junction just in time, and jumped into the first carriage he could find in his hurry. He had no luggage, having left everything in town—nothing but the small bag in his hand, in which there were various things which he had meant to show to Hester, to amuse her, distract her thoughts on the night journey, and keep her from too many questions. Among these things was a special licence, which he had procured that morning in town. He jumped into the carriage without perceiving there was any one in it; and it annoyed him to see, when he settled in the furthest corner, that there was a woman in the other. But the light was low, and it could not be helped. Thus shut up in close and silent company, two strangers, each wrapped in a world of their own, they went swinging through the night, the lights of the stations on the road gleaming past, while with a roar and rush they ran through covering sheds and by empty platforms. After a while Edward's attention was caught, in spite of himself, by a little measured sob and sigh, which came at intervals from the other corner. The lady was very quiet, but very methodical. She put back her veil; she took out her handkerchief; she proceeded to dry her eyes in a serious matter-of-fact way. Edward could not help watching these little proceedings. A few minutes after, with a start, he perceived who his companion was. Emma, going home at last, just as she came, no one having spoken, nor any event occurred to change the current of her life. Her little sniff, her carefully-wiped-off tears were for her failure, and for the dulness of Kilburn, which she was about to return to. A sudden idea struck Edward's mind. He changed his seat, came nearer to her, and at last spoke.
"I am afraid, Miss Ashton, you don't like travelling by night," he said.
She gave a little start and cry. "Oh, is it you, Mr. Edward? I thought when you came in, it must be somebody I knew. Oh, I am afraid you must have seen me crying. I am very sorry to go away; everybody in Redborough has been so kind to me, and there is always so much going on."
"But in London——" Edward began.
"Oh, that is what everybody says. There is always so much going on in London. That just shows how little they know. Perhaps among the fashionable sets. I don't know anything about that; but not in Kilburn. It's partly like a little village, and partly like a great huge town. You're not supposed to know the people next door; and then they are all just nobody. The men come home to their dinner or their tea, and then there is an end of them. When you are in the best set in a place it makes such a difference. Roland is very kind, and I have nothing to complain of, but I can't bear going back. That's what I was crying for: not so much for having to leave, but for having to go back."