“Ellinor!” cried Mrs. Eastwood in dismay; but it was too late.
“Batty, oh yes, I know Batty. He is very well known to the ingenuous youth of that part of England,” said Mr. Vane, “though I admire and wonder to think you should ask for him. Stop a moment, however, I know; he has a beautiful daughter.”
“Then she is beautiful!” cried Nelly.
“Red and white, flesh and blood—big Dutch doll of a thing,” cried Dick, thrusting himself into the conversation, in eager self-defence, without thinking of the contradiction in his words.
“I suppose we are all flesh and blood,” said Mr. Vane, “but I rather incline to Dick’s view of the matter, on the whole. At the same time she is a beautiful creature. I don’t believe she has any more soul than Mahomet would allow; but she is the perfection of flesh and blood. By the way, she was once said to be engaged to one of the Eastwoods, I forget which, not Sir Geoffrey, but one of his brothers. I don’t know how it was broken off.”
“I heard of that too,” said Dick, putting on an air of injured virtue; “you listen to all he says, but you don’t put any faith in me.”
“No, I can’t tell you exactly how it was broken off,” Mr. Vane went on, trying to recollect the details which might, he thought, interest in an easy way the relations of Charlie Eastwood. “But these stories are always disagreeable,” he added, “there is sure to be something discreditable on one side or the other. It is a blessing, however, to know that he did get out of it, which was the chief thing to be desired.”
In the dead pause that followed, in the look of despair which was exchanged between Mrs. Eastwood and Nelly, and the absence of all response to what he said, Vane, who was quick-witted, felt instinctively that something more was involved. He turned the conversation at once to other channels, and after a while Mrs. Eastwood withdrew with Dick, whose cold was becoming more and more demonstrative. When they had left the room there was another pause, which Mr. Vane made no haste to break, for if Nelly chose to be confidential with the man who was a “connexion,” as he thought she had once or twice shown an inclination to be, John Vane was very far from having any objection. On the contrary, he was disposed to cherish the inclination. He was “interested” in Nelly. He thought there was a dissatisfaction and confused want in her, which it was sad to see. He thought Ernest Molyneux not half worthy of such a girl, and wondered what she could see in him; and if he himself could be of any comfort or help to Nelly, why, what was the good of him but to be of use? He waited, leaving her to speak, to ask his advice, or confide in him, if she chose.
“About this Mr. Batty?” she said hastily. “Oh, Mr. Vane, pardon me for troubling you. You say it was a blessing that Charlie Eastwood got out of his engagement. I hate that way of talking, as if a girl’s happiness went for nothing. But I don’t think you meant that; is this Mr. Batty such a man that to be connected with him would be a disgrace?”
“Disgrace is a strong word,” said Vane. “I do not think I would use such a violent expression; but as a matter of feeling, I would rather not be connected with him; and pardon me if I say what perhaps may shock you—I would like still less to be connected with her.”