His voice seemed to go away from him into his throat. It was curious to see him, at his age, so unsteady and agitated, swaying from one foot to another, stammering, flushing under the limpid modest eyes of this country girl, who, on her part, coloured suddenly, looked at him, and then at Mrs. Bellendean, with a faint cry, ‘Oh, sir!’
‘Where she got her name?’ said Mrs. Bellendean. ‘It is not so easily answered as perhaps you think. I will tell you afterwards. It is a very uncommon name. Joyce, my dear, what is the little secret you have been plotting, and when is it to be made known?’
The young woman stood for a moment without replying. ‘How can I help wondering?’ she said, with a long-drawn breath. ‘How can I think of common things? Nobody has ever asked me that question before.’ Then, with a sudden effort, she recovered her self-control. ‘It will be nothing,’ she said quickly, as if to herself; ‘it will be some fancy: I’ll go back to my work. It was no secret worth calling a secret, Mrs. Bellendean—only some poems they learned to please me—to say to you and the other ladies, if you will take your seats.’
‘Where would you like us to take our seats, Joyce?’
‘Yonder, under the big ash-tree. It’s very bonnie there. You can see the Firth, and the ships sailing, and St. Margaret’s Hope; and you will look like the Queen herself, with her ladies, under the green canopy. Will I put the chair for you?’ cried the girl, in a Scotch confusion of verbs. She gave the Colonel one glance, and then hurried off, as if determined to distract her own attention. There were a few garden-chairs already scattered about under a clump of trees, which crowned a little platform of green—a very slight eminence, just enough to serve as a dais. She drew them into place with a rapid and cunning hand, and caught quickly at a Turkish rug of brilliant colour, which lay beside the tea-table, placing it in front of the presiding chair. Her movements were very swift and certain, and full of the grace of activity and capacity. Meantime the Colonel stood by the side of Mrs. Bellendean, surveying all.
‘She is excited,’ said the lady. ‘She is a strange girl: your question—which I have no doubt is a very simple question—has set her imagination going. See what a picture she has made! and she could sketch it too, if there was time. She is a sort of universal genius. And now she is all on fire, hoping to find out something.’
‘Hoping to find out—what?’
‘Oh, my dear Colonel, it is a long story. I will tell you afterwards—not a word more now, please. I don’t want her to form expectations, poor girl—— Well Joyce—is that where I am to sit? I shall feel quite like the Queen——’
‘With the young ladies behind,’ said Joyce, breathless. Her eyes were full of impatient light, her sensitive lips quivering even while they smiled—a rapid coming and going of expression, of movement and colour, in her usually pale face. The Colonel stood gazing at her, his mouth slightly open, his eyes fixed. Oh, if Elizabeth were but here, who would know what to do!
The scene that followed was very pretty, if his mind had been sufficiently free to take it in. The little girls, in their bright summer frocks, subdued by the darker costumes of the boys, poured forth from their eclipse under the tent, and gathered in perpetually moving groups round the little slope. The ladies took their places, smiling and benignant—Mrs. Bellendean in the centre, two of the prettiest girls behind her chair, the others seated about. They all submitted to Joyce, asking, ‘Shall I sit here?’ ‘Shall I stand?’ ‘What am I to do?’ with gay docility. When it was all arranged to her liking, Joyce turned towards the children. She stood at one side, pointing towards the pretty group under the trees, holding her own fine head high, with a habit of public speaking, which the Colonel thought—and perhaps also Norman Bellendean, who was looking on—one of the prettiest sights he ever saw.