“Who is your ‘poor thing, poor thing’?” said a cheerful voice, with a mimicry of Marg’ret’s manner and her accent (for Marg’ret said poor as if it were written with a French u, that sound so difficult to English lips) “would it be the colley dogue or the canary bird or maybe the mistress of the house?”
Marg’ret turned round upon the only antagonist in the house who could hold head against her, or whom she could not crush at a blow—Kirsteen, the second daughter, who came in at this moment, quite softly but with a sudden burst open of the door, a sort of compromise between the noise it would have been natural to her to make, and the quietness essential to the invalid’s comfort. She was a girl of nearly twenty, a daughter of the hills, strongly built, not slim but trim, with red hair and brown eyes and a wonderful complexion, the pure whiteness like milk which so often goes with those ruddy locks, and the colour of health and fine air on her cheeks. I would have darkened and smoothed my Kirsteen’s abundant hair if I could, for in those days nobody admired it. The type of beauty to which the palm was given was the pale and elegant type, with hair like night and starry eyes either blue or dark; and accordingly Kirsteen was not considered a pretty girl, though there were many who liked her looks in spite of her red hair, which was how people expressed their opinion then. It was so abundant and so vigorous and full of curl that it cost her all the trouble in the world to keep it moderately tidy, whereas “smooth as satin” was the required perfection of ladies’ locks. Her eyes were brown, not nearly dark enough for the requirements of the time, a kind of hazel indeed, sometimes so full of light that they dazzled the spectator and looked like gold—also quite out of accordance with the canons of the day. She was slightly freckled: she was, as I have said, strongly built; and in the dress of the time, a very short bodice and a very straight and scanty skirt, her proportions were scarcely elegant, but her waist was round if not very small, and her arms, in their short sleeves, shapely and well formed, and whiter than might have been expected from their constant exposure to air and sun, for Kirsteen only put on her gloves on serious occasions. The air of health and brightness and vigour about her altogether, made her appearance like that of a burst of sunshine into this very shady place.
“’Deed,” said Marg’ret, putting her hands on each side of her own substantial waist in a way which has always been supposed to imply a certain defiance, “it was just you yoursel’.”
“Me!” the girl cried with a sort of suppressed shout. She cast a laughing glance round with an apparent attempt to discover some cause for the pity. “What have I done wrong now?” Then her eyes came back to the troubled almost whimpering pathos of her mother’s looks, and a cloud came over her bright countenance. “What has she been saying, mother, about me?”
“She says I’m crying on you for something day and night, and that you never have a minute to yourself; and oh, Kirsteen, my dear, I fear it’s true.”
Kirsteen put her arms akimbo too, and confronted Marg’ret with laughing defiance. They were not unlike each other, both of them types of powerful and capable womanhood, the elder purely and strongly practical, the other touched with fancy and poetry and perhaps some of the instincts of gentle blood, though neither in father nor mother were there many graces to inherit. “You are just a leein’ woman,” said the girl with a flash of her bright eyes. “Why, it’s my life! What would I do without my Minnie?—as the song says.” And she began to sing in a fresh, sweet, but uncultivated voice:
“He turned him right and round about,
Said, Scorn not at my mither,
True loves I may get mony an ane
But Minnie ne’er anither.”
Before Kirsteen’s song came to an end, however, her eyes suddenly filled with tears. “What were you wanting, mother,” she said hastily as she dropped the tune which was a very simple one, “to make her speak?”
“Oh, I was wanting nothing, nothing in particular. I was wanting my pillows shifted a little, and the big plaiden shawl for my knees, and one of my wires that fell out of my reach, and my other clew for I’m nearly at the end of this one. Ay! that’s better; there is nobody that knows how to make me comfortable but you.”
For Kirsteen in the meantime had begun to do, with swift and noiseless care, all that was wanted, finding the clew, or ball of worsted for the stocking her mother was knitting, as she swept softly past to get the big shawl, on her way to the side of the chair where she arranged the pillows with deft accustomed skill. It did not take a minute to supply all these simple requirements. Marg’ret looked on, without moving while all was done, and caught the look half-soothed, half-peevish, which the invalid cast round to see if there was not something else that she wanted. “You may put down that book off the mantelpiece that Robbie left there,” Mrs. Douglas said, finding nothing else to suggest; “it will curl up at the corners, and your father will be ill-pleased—”