‘You think it is all my fault! I never thought it would come to this; I never thought he would go away. Oh, if I had only let them marry at first! I often think if she had been happy in her own home, coming to see her father every day, it would have been more of a change for him, more company than having her always. Oh! if one could only tell what is going to happen. She might have had a nice family by this time, and the eldest little girl big enough to run in and play at his feet and amuse her grandpa. He always was fond of children. But we’ll never see Ellen’s children now!’ cried the poor woman. ‘And you think it is my fault!’

I could not reproach her; her black cap with the flowers, her little woollen shawl about her shoulders, grew tragic as she poured forth her trouble. It was not so dignified as the poet’s picture, but yet, like him, she

Saw the unborn faces shine
Beside the never lighted fire;

and with a groan of misery felt herself the slayer of those innocents that had never been. The tragic and the comic mingled in the vision of that ‘eldest little girl,’ the child who would have amused her grandpa had she been permitted to come into being; but it was all tragic to poor Mrs. Harwood. She saw no laugh, no smile, in the situation anywhere.

We went to Mentone, and stayed there till the bitterness of the winter was over, then moved along that delightful coast, and were in Genoa in April. To speak of that stately city as a commercial town seems insulting—and yet so it is now-a-days. I recognized at once the type I had known in other days when I sat at the window of the hotel and watched the people coming and going. It reminded me of my window in the Road, where, looking out, I saw the respectable City people—clerks like John Ridgway, and merchants of the same cut though of more substantial comfort—wending their way to their business in the morning, and to their suburban homes in the evening. I do not know that I love the commercial world; but I like to see that natural order of life—the man ‘going forth unto his work and to his labour until the evening.’ The fashion of it is different in a foreign town, but still the life is the same. We changed our quarters however after we had been for some time in that city, so-called of palaces, and were lodged in a suite of rooms very hard to get up to (though the staircase was marble), but very delightful when one was there; rooms which overlooked the high terrace which runs round a portion of the bay between the inns and the quays. I forget what it is called. It is a beautiful promenade, commanding the loveliest view of that most beautiful bay and all that is going on in it. At night, with all its twinkling semicircle of lights, it was a continual enchantment to me; but this or any of my private admirations are not much to the purpose of my story. Sitting at the window, always my favourite post, I became acquainted with various individual figures among those who haunted this terrace. Old gentlemen going out to sun themselves in the morning before the heat was too great; children and nursemaids, Genoese women with their pretty veils, invalids who had got up the stairs, I cannot tell now, and sat panting on the benches, enjoying the sea air and the sunshine. There was one however among this panorama of passing figures, which gave me a startled sense of familiarity. It was too far off to see the man’s face. He was not an invalid; but he was bent, either with past sickness or with present care, and walked with a dropping head and a languid step. After watching him for a time, I concluded (having always a great weakness for making out other people’s lives, how they flow) that he had some occupation in the town from which he escaped, whenever he had leisure, to rest a little and refresh himself upon the terrace. He came very regularly, just at the time when Italian shops and offices have a way of shutting up, in the middle of the day—very regularly, always, or almost always, at the same hour. He came up the steps slowly and languidly, stopped a little to take breath, and then walked half way round the terrace to a certain bench upon which he always seated himself. Sometimes he brought his luncheon with him and ate it there. At other times, having once gained that place, he sat quite still in a corner of it, not reading, nor taking any notice of the other passers-by. No one was with him, no one ever spoke to him. When I noticed him first he startled me. Who was he like? His bent figure, his languid step, resembled no one I could think of; but yet I said to myself, He is like somebody. I established a little friendship with him, though it was a friendship without any return; for though I could see him he could not see me, nor could I distinguish his face; and we never saw him anywhere else, neither at church, nor in the streets, not even on the festas when everybody was about; but always just there on that one spot. I looked for him as regularly as the day came. ‘My mother’s old gentleman,’ Chatty called him. Everybody is old who is not young to these children; but though he was not young he did not seem to me to be old. And he puzzled as much as he interested me. Who was he like? I never even asked myself, Who was he? It would be no one I had any chance of acquaintance with. Some poor employé in a Genoa office; how should I know him? I could not feel at all sure, when I was cross-examined on the subject, whether I really remembered any one whom he was like; but yet he had startled me more than I can say.

Genoa, where we had friends and family reasons for staying, became very hot as the spring advanced into early summer, and we removed to one of the lovely little towns on the coast at a little distance, Santa Margherita. When we had been settled there for a few days, Chatty came in to me one evening with a pale face. ‘I have just seen your old gentleman,’ she said. ‘I think he must live out here; but I saw by the expression of her eyes that there was more to say. She added after a moment, ‘And I know who he is like.’

‘Ah! you have seen his face,’ I said; and then, before she had spoken, it suddenly flashed on myself in a moment, ‘John Ridgway!’ I cried.

‘Mother,’ said Chatty, quite pale, ‘I think it is his ghost.’

I went out with her instantly to where she had seen him, and we made some inquiries, but with no success. When I began to think it over, he was not like John Ridgway. He was bent and stooping, whereas John was erect; his head drooped, whereas how well I recollected poor John’s head thrown back a little, his hat upon the back of it, his visionary outlook rather to the skies than to the ground. No, no, not like him a bit; but yet it might be his ghost, as Chatty said. We made a great many inquiries, but for the moment with no success, and you may suppose that I watched the passers-by from my window with more devotion than ever. One evening in the sudden nightfall of the Italian skies, when darkness comes all at once, I was seated in my usual place, scarcely seeing however the moving figures outside, though all the population of the place seemed to be out, sitting round the doors, and strolling leisurely along enjoying the heavenly coolness and the breeze from the sea. At the further end of the room Chatty was at the piano, playing to me softly in the dark which she knows is what I like, and now and then striking into some old song such as I love. She was sure to arrive sooner or later at that one with which we now had so many associations; but I was not thinking of the song, nor for the moment of Ellen or her faithful (as I was sure he was still) lover at all. A woman with so many children has always plenty to think of. My mind was busy with my own affairs. The windows were open, and the babble of the voices outside—high pitched, resounding Italian voices, not like the murmur of English—came in to us as the music floated out. All at once, I suddenly woke up from my thinking and my family concerns. In the dusk one figure detached itself from among the others with a start, and came forward slowly with bent head and languid step. Had he never heard that song since he heard Ellen break off, choked with tears unshed, and a despair which had never been revealed? He came quite close under the window where I could see him no longer. I could not see him at all; it was too dark. I divined him. Who could it be but he? Not like John Ridgway, and yet John; his ghost, as Chatty had said.

I did not stop to think what I was to do, but rose up in the dark room where the child was singing, only a voice, herself invisible in the gloom. I don’t know whether Chatty saw me go; but, if so, she was inspired unawares by the occasion, and went on with her song. I ran down-stairs and went out softly to the open door of the inn, where there were other people standing about. Then I saw him quite plainly by the light from a lower window. His head was slightly raised towards the place from which the song came. He was very pale in that pale, doubtful light, worn and old and sad; but as he looked up, a strange illumination was on his face. His hand beat the air softly, keeping time. As she came to the refrain his lips began to move as if he were repeating after his old habit those words, ‘I will come again.’ Then a sudden cloud of pain seemed to come over his face—he shook his head faintly, then bowed it upon his breast.