‘Why should I wish to balk him, my dear?’ said Mrs. Anderson, with all her natural dignity. ‘He and I can have but one meeting-ground, one common interest, and that is your welfare, Kate.’
‘Well, auntie, I want to balk him,’ cried the girl, ‘and I shall do all I can to keep him off. After tea we shall have some music,’ she added, with a laugh, ‘for the Berties, auntie, who are so fond of music. The Berties must stay as long as possible, and then everything will come right.’
Poor Mrs. Anderson! she shook her head with a kind of mild despair. The Berties were as painful a subject to her as Mr. Courtenay. She was driven to her wits’ end. To her the disapproving look of the latter was a serious business; and if she could have done it, instead of tempting them to stay all night, she would fain have sent off the two Berties to the end of the world. All this she had to bear upon her weighted shoulders, and all the time to smile, and chat, and make herself agreeable. Thus the pretty Elysium of the Cottage—its banks of early flowers, its flush of Spring vegetation and blossom, and the gay group on the lawn—was like a rose with canker in it—plenty of canker—and seated deep in the very heart of the bloom.
But Kate managed to carry out her intention, as she generally did. She delayed the high tea which was to wind up the rites of the afternoon. When it was no longer possible to put it off, she lengthened it out to the utmost of her capabilities. She introduced music afterwards, as she had threatened—in short, she did everything an ingenious young woman could do to extend the festivities. When she felt quite sure that Mr. Courtenay must have given up all thought of repeating his visit to the Cottage, she relaxed in her exertions, and let the guests go—not reflecting, poor child, in her innocence, that the lighted windows, the music, the gay chatter of conversation which Mr. Courtenay heard when he turned baffled from the Cottage door at nine o’clock, had confirmed all his doubts, and quickened all his fears.
‘Now, auntie, dear, we are safe—at least, for to-night,’ she said; ‘for I fear Uncle Courtenay means to make himself disagreeable. I could see it in his face—and I am sure you are not able for any more worry to-night.’
‘I have no reason to be afraid of your Uncle Courtenay, my dear.’
‘Oh! no—of course not; but you are tired. And where is Ombra?—Ombra, where are you? What has become of her?’ cried Kate.
‘She is more tired than I am—perhaps she has gone to bed. Kate, my darling, don’t make her talk to-night.’
Kate did not hear the end of this speech; she had rushed away, calling Ombra through the house. There was no answer, but she saw a shadow in the verandah, and hurried there to see who it was. There, under the green climbing tendrils of the clematis, a dim figure was standing, clinging to the rustic pillar, looking out into the darkness. Kate stole behind her, and put her arm round her cousin’s waist. To her amazement, she was thrust away, but not so quickly as to be unaware that Ombra was crying. Kate’s consternation was almost beyond the power of speech.
‘Oh! Ombra, what is wrong?—are you ill?—have I done anything? Oh! I cannot bear to see you cry!’