These were, however, of the very essence of his character. A perfectly dauntless nature fearing nothing, the self-confidence of an inspired prophet, the high tyrannical impulse of a swift and fiery genius impatient of lesser spirits, were all in him, making of him the imperative, absolute, arrogant autocrat he was; but yet no higher ambition, no more noble purpose, ever inspired a man. He desired for his countrymen that they should be a chosen people like those of old whom God had selected to receive His revelation; his ambition was to make Scotland the most pure, the most godlike, of all countries of the earth. In many things he was intolerable, in some he was wrong and self-deceived. He was too eager, too restless, too intent upon doing everything, forcing the wheels of the great universe and clutching at his aim whatever conditions of nature might oppose—to be wholly heroic. Yet there are none of the smoother or even more lovable figures of history whom it would be less possible to strike from off the list of heroes. The impression which he left upon the religion and character of Scotland remains to this day; and if we think, as many have done during all these ages, that that development of national life is the highest that could be aimed at, John Knox was one of the greatest of men. But if he transmitted many great qualities to his country, he also transmitted the defects of these qualities. He cut Scotland adrift in many respects from the community of Christendom. He cut her off from her ancestors and from those hallowing traditions of many ages which are the inheritance of the universal Church. He taught her to exult in that disruption, not to regret it; and he left an almost ineradicable conviction of self-superiority to a world lying in wickedness, in the innermost heart of the nation. It is a wonderful testimony to a man that he should have thus been able to imprint his own characteristics upon his race: and no doubt it is because he was himself of the very quintessence of its national character to start with, that he has maintained this prodigious power through these three hundred years.

KNOX'S PULPIT. In the Antiquarian Society's Museum, Edinburgh.

He lies, it is thought, if not within the walls of St. Giles's under the flags between the Cathedral and the Parliament House, with all the busy life of modern Edinburgh, the feet of generations of men treading out the hours and years over his head; a more appropriate bed for him than green mound or marble monument. That stony square is consecrated ground blessed near a thousand years ago by ancient priests who cared little more for Rome than do their modern successors now. But little heeded Knox for priestly blessing or consecrated soil. "The earth is the Lord's and the fulness thereof" was the only consecration of which he thought.

CHAPTER IV
THE SCHOLAR OF THE REFORMATION

The age of Mary Stewart is in many ways the climax of Scottish national history, as well as one of the most interesting and exciting chapters in the history of the world. The Stewarts of Scotland had been up to this point a native race entirely Scots in training as in birth, and bent above all things upon the progress and consolidation of their own ancient kingdom, the poor but proud; a speck all but lost in the distance of the seas, yet known all over Christendom wherever errant squires or chivalrous pretensions were known. But the new sovereign of Scotland was one whose heart and pride were elsewhere, whose favourite ambitions were directed beyond the limits of that ancient kingdom with which she had none of the associations of youth, and to which she came a stranger from another Court far more dazzling and splendid, with hopes and prospects incapable of being concentrated within the boundary of the Tweed. There is no indication that the much-contested history of Mary Stewart has lost any of its interest during the progress of the intermediate centuries; on the contrary, some of its questions are almost more hotly contested now than they were at the moment when they arose. Her chivalrous defenders are more bold than once they were, and though the tone of her assailants is subdued, it is from a natural softening of sentiment towards the past, and still more from the fashion of our time, which finds an absorbing interest in the manifestations of individual character and the discussion of individual motives, rather than from any change of opinion. I do not venture to enter into that long-continued conflict, or to attempt to decide for the hundredth time whether a woman so gifted and unfortunate was more or less guilty. Both parties have gone, and still go, too far in that discussion; and Mary would not have thanked (I imagine) those partisans who would prove her innocence at the cost of all those vigorous and splendid qualities which made her remarkable. She could scarcely be at once an unoffending victim and one of the ablest women of her time.

As this is the most interesting of all the epochs of Scottish history—and that not for Mary's sake alone, but for the wonderful conflict going on apart from her, and in which her tragic career is but an episode—so it is the most exciting and picturesque period in the records of Edinburgh, which was then in its fullest splendour of architectural beauty and social life; its noble streets more crowded, more gay, more tumultuous and tragical; its inhabitants more characteristic and individual; the scenes taking place within it more dramatic and exciting than at any other part of its history. Fine foreign ambassadors, grave English diplomates trained in the school of the great Cecil, and bound to the subtle and tortuous policy of the powerful Elizabeth; besides a new unusual crowd of lighter import but not less difficult governance, the foreign artists, musicians, courtiers of all kinds, who hung about the palace, had come in to add a hundred complicating interests and pursuits to the simpler if fiercer contentions of feudal lords and protesting citizens: not to speak of the greatest change of all, the substitution for the ambitious Churchman of old, with a coat of mail under his rochet, of the absolute and impracticable preacher who gave no dispensations or indulgences, and permitted no compromise. All these new elements, complicated by the tremendous question of the English succession, and the introduction of many problems of foreign politics into a crisis bristling with difficulties of its own, made the epoch extraordinary; while the very streets were continually filled by exciting spectacles, by processions, by sudden fights and deadly struggles, by pageants and splendours, one succeeding another, in which the whole population had their share. The decree of the town council that "lang weapons," spears, lances, and Jedburgh axes, should be provided in every shop—so that when the town bell rang every man might be ready to throw down his tools or his merchandise and grip the ready weapon—affords the most striking suggestion of those sudden tumults which might rise in a moment, and which were too common to demand any special record, but kept the town in perpetual agitation and excitement—an agitation, it is true, by no means peculiar to Edinburgh. No painter has ever done justice to the scene which must have been common as the day, when the beautiful young Queen, so little accustomed to the restraints and comparative poverty of her northern kingdom, and able to surround herself with the splendour she loved out of her French dowry, rode out in all her bravery up the Canongate, where every outside stair and high window would be crowded with spectators, and through the turreted and battlemented gate to the grim fortress on the crown of the hill, making everything splendid with the glitter of her cortege and her own smiles and unrivalled charm. Sadder spectacles that same beautiful Queen provided too—miserable journeys up and down from the unhappy palace, sometimes through a stern suppressed tumult of hostile faces, sometimes stealthily under cover of night which alone could protect her. Everything in Edinburgh is associated more or less with Mary's name. There is scarcely an old house existing, with any authentic traces of antiquity, in which she is not reported to have taken refuge in her trouble or visited in her pleasure. The more vulgar enthusiasts of the causeways are content to abolish all the other associations of old Edinburgh for Mary's name.

But I will not attempt to revive those pageants either of joy or sorrow. There are other recollections which may be evoked with less historical responsibility and at least a little more freshness and novelty. No figure can be introduced out of that age who has not some connection one way or other with the Queen; and the great scholar, whose reputation has remained unique in Scotland, had some share in her earlier and happier life, as well as a link, supposed of treachery, with her later career. George Buchanan was the Queen's reader and master in her studies when all was well with her. He is considered by some of her defenders to be the forger of the wonderful letters which, if true, are the most undeniable proof of her guilt. But these things were but incidents in his career, and he is in himself one of the most illustrious and memorable figures among the throngs that surrounded her in that brief period of sovereignty which has taken more hold of the imagination of Scotland, and indeed of the world, than many a longer and, in point of fact, more important reign.

It is difficult to understand how it is that in later days, and when established peace and tranquillity of living might have been supposed to give greater encouragement to study, accurate and fine scholarship should have ceased to be prized or cultivated in Scotland. Perhaps, however, the very advantages upon which we have plumed ourselves so long, the general diffusion of education and higher standard of knowledge, is one of the causes of this failure—not only the poverty of Scotch universities and want of endowments, but the broader and simpler scale on which our educational systems were founded, and which have made it more important to train men for the practical uses of teaching than permit to them the waywardness and independence of a scholar. These results show the "défauts de nos qualités," though we are not very willing to admit the fact. But in the earlier centuries no such reproach rested upon us. Although perhaps, then as now, the Scotch intelligence had a special leaning towards philosophy, there was still many a learned Scot whose reputation was in all the universities, whose Latinity was unexceptionable, and his erudition immense, and to whom verses were addressed and books dedicated in every centre of letters. One of the most distinguished of these scholars was George Buchanan, and there could be no better type of the man of letters of his time, in whom the liberality of the cosmopolitan was united with the exclusiveness of the member of a very strait and limited caste. He had his correspondents in all the cities of the Continent, and at home his closest associates were among the highest in his own land. Yet he was the son of a very poor man, born almost a peasant and dying nearly as poor as he was born. From wandering scholar and pedagogue he became the preceptor of a King and the associate of princes; but he was not less independent, and he was scarcely more rich in the one position than the other. His pride was not in the high consultations he shared or the national movements in which he had his part, but in his fine Latinity and the elegant turn of those classical lines which all his learned compeers admired and applauded. The part that he played in history has been made to look odious by skilled critics; and the great book in which he recorded the deeds of his contemporaries and predecessors has been assailed violently and bitterly as prejudiced, partial, and untrue. But nobody has been able to attack his Latin or impair the renown of his scholarship; and perhaps had he himself chosen the foundation on which to build his fame, this is what he would have preferred above all. History may come and politics go, and the principles of both may change with the generations, but Latin verse goes on for ever: no false ingenuity of criticism can pick holes in the deathless structure of an art with which living principles have had nothing to do for a thousand years and more.