"You mean so simple, dear child," said the Contessa, whose brow had cleared; "that is really what is so wonderful in these English men. They are so simple, they never see how it is different. It is brave if you please, but still more simple-minded. Little Montjoie is so. He knows no better; not to me only, but even to you, Bice, with that voice of yours, so pure, so fresh, he listens, then performs as you heard. It is wonderful, as you say. But you have not told me, Lucy, my sweetest, what you think of the little one's voice."
"I think," said Lucy, with that disapproval which she could not altogether restrain, "that it is very wonderful, when it is so fine, that we never heard it before——"
"Ah, Bice," cried the Contessa, "our dear lady is determined that she will not be pleased to-night. We had prepared a little surprise, and it is a failure. She will not understand that we love to please. She will have us to be superior, as if we were English."
"Indeed, indeed," cried Lucy, full of compunction, "I know you are always kind. And I know your ways are different—but——" with a sort of regretful reflectiveness, shaking her head.
"All England is in that but," said the Contessa. "It is what has always been said to me. In our country we love to arrange these little effects, to have surprises, impromptus, events that are unexpected. Bice, go, my child, go to bed, after this excitement you must rest. You did well, and pleased me at least. My sweet Lucy," she said, when the girl with instant obedience had disappeared into the next room, "I know how you see it all from your point of view. But we are not as you, rich, secure. We must make while we can our coup. To succeed by one coup, that is my desire. And you will not interfere?"
"Oh, Contessa," cried Lucy, "will you not spare the child? It is like selling her. She is too good for such a man. He is scarcely a man; he is a boy. I am ashamed to think that you should care to please——him, or any one like him. Oh, let it come naturally! Do not plan like this, and scheme and take trouble for——"
"For an establishment that will make her at once safe and sure; that will give her so many of the things that people care for—beautiful houses, a good name, money—— I have schemed, as you say, for little things much of my life," said the Contessa, shaking her head with a mournful smile; "I have told you my history: for very, very little things—for a box at the opera, for a carriage, things which are nothing, sweetest Lucy. You have plenty; such things are nothing to you. You cannot understand it. But that is me, my dear one. I have not a higher mind like you; and shall I not scheme," cried the Contessa, with sudden energy, "for the child, to make her safe that she may never require scheming? Ah, my Lucy! I have the heart of a mother to her, and you know what a mother will do."
Lucy was silent, partly touched, partly resisting. If it ever could be right to do evil that good might come, perhaps this motive might justify it. And then came the question how much, in the Contessa's code, was evil, of these proceedings? She was silenced, if not satisfied. There is a certain casuistry involved in the most Christian charity: "thinketh no evil," sometimes even implies an effort to think that there is no harm in evil according to the intention in it. Lucy's intellect was confused, though not that unobtrusive faculty of judgment in her which was infallible, yet could be kept dumb.
"My love," said the Contessa, suddenly kissing her as a sort of dismissal, "think that you are rich and we poor. If Bice had a provision, if she had even as much as you give away to your poor friends and never think of again, how different would all things be for her! But she has nothing; and therefore I prepare my little tableaux, and study all the effects I can think of, and produce her as in a theatre, and shut her up to agacer the audience, and keep her silent and make her sing, all for effect; yes, all for effect. But what can I do? She has not a penny, not a penny, not even like your poor friends."
The sudden energy with which this was said was indescribable. The Contessa's countenance, usually so ivory-pale, shone with a sort of reflection as if of light within, her eyes blazed, her smile gave place to a seriousness which was almost indignation. She looked like a heroine maintaining her right to do all that human strength could do for the forlorn and oppressed; and there was, in fact, a certain abandon of feeling in her which made her half unconsciously open the door, and do what was tantamount to turning her visitor out, though her visitor was mistress of the house. Her feelings had, indeed, for the moment, got the better of the Contessa. She had worked herself up to the point of indignation, that Lucy who could, if she would, deliver Bice from all the snares of poverty, had not done so, and was not, so far as appeared, intending to do so. To find fault with the devices of the poor, and yet not to help them—is not that one of the things least easily supportable of all the spurns of patient merit? The Contessa was doing what she could, all she could in her own fashion, strenuously, anxiously. But Lucy was doing nothing, though she could have done it so easily: and yet she found fault and criticised. Madame di Forno-Populo was swept by a great flood of instinctive resentment. She put her hostess to the door in the strength of it, tenderly with a kiss but not less hotly, and with full meaning. Such impulses had stood her instead of virtue on other occasions; she felt a certain virtue as of superior generosity and self-sacrifice in her proceedings now.