“Respect!—the old humbug!” muttered Harry behind Marian’s chair. “Am I disrespectful? I choose to be judged by you.”
Marian glanced over her shoulder with saucy kindness. “Don’t quarrel,” said Marian. No! Poor Harry was so glad of the glance, the smile, and the confidence, that he could have taken Endicott, who was the cause of it, to his very heart.
“The functions of the press,” said Mr Endicott, “are unjustly limited in this country, like most other enlightened influences. In these days we have scarcely time to wait for books. It is not with us as it was in old times, when the soul lay fallow for a century, and then blossomed into its glorious epic, or drama, or song! Our audience must perceive the visible march of mind, hour by hour and day by day. We are no longer concerned about mere physical commotions, elections, or debates, or votes of the Senate. In these days we care little for the man’s opinions; what we want is an advantageous medium for studying the man.”
As she listened to this, Agnes Atheling held her breath, and suspended her work unawares. It sounded very imposing, indeed—to tell the truth, it sounded something like that magnificent conversation in books over which Marian and she had often marvelled. Then this simple girl believed in everybody; she was rather inclined to suppose of Mr Endicott that he was a man of very exalted mind.
“I do not quite know,” said Agnes humbly, “whether it is right to tell all about great people in the newspapers, or even to put them in books. Do you think it is, Mr Endicott?”
“I think,” said the American, solemnly, “that a public man, and, above all, a literary man, belongs to the world. All the exciting scenes of life come to us only that we may describe and analyse them for the advantage of others. A man of genius has no private life. Of what benefit is the keenness of his emotions if he makes no record of them? In my own career,” continued the literary gentleman, “I have been sometimes annoyed by foolish objections to the notice I am in the habit of giving of friends who cross my way. Unenlightened people have complained of me, in vulgar phrase, that I ‘put them in the newspapers.’ How strange a misconception! for you must perceive at once that it was not with any consideration of them, but simply that my readers might see every scene I passed through, and in reality feel themselves travelling with me!”
“Oh!” Agnes made a faint and very doubtful exclamation; Harry Oswald turned on his heel, and left the room abruptly; while Marian bent very closely over her work, to conceal that she was laughing. Mr Endicott thought it was a natural youthful reverence, and gave her all due credit for her “ingenuous emotions.”
“The path of genius necessarily reveals certain obscure individuals,” said Mr Endicott; “they cross its light, and the poet has no choice. I present to my audience the scenes through which I travel. I introduce the passengers on the road. Is it for the sake of these passengers? No. It is that my readers may be enabled, under all circumstances, to form a just realisation of me. That is the true vocation of a poet: he ought to be in himself the highest example of everything—joy, delight, suffering, remorse, and ruin—yes, I am bold enough to say, even crime. No man should be able to suppose that he can hide himself in an indescribable region of emotion where the poet cannot follow. Shall murder be permitted to attain an experience beyond the reach of genius? No! Everything must be possessed by the poet’s intuitions, for he himself is the great lesson of the world.”
“Charlie,” said Harry Oswald behind the door, “come in, and punch this fellow’s head.”