“Is she not the most wonderful little genius?” cried Mrs Edgerley, making one of her sudden descents upon Agnes. “I tell everybody she is next to you—quite next to you in talent. I expect she will make quite a furor next season when she makes her début.”
“But she dislikes it so much,” said Agnes.
“What, music? Oh, you mean coming out: poor child, she does not know what is for her own advantage,” said Mrs Edgerley. “My love, in her circumstances, people have no right to consult their feelings; and a successful singer may live quite a fairy life. Music is so entrancing—these sort of people make fortunes immediately, and then, of course, she could retire, and be as private as she pleased. Oh, yes, I am sure she will be delighted to gratify you, Mr Agar: she will sing again.”
It scarcely required a word from Mrs Edgerley—scarcely a sign. Rachel seemed to know by intuition when she was wanted, and, putting down her book, went to the piano again;—perhaps Agnes was not so attentive this time, for she felt herself suddenly roused a few minutes after by a sudden tremor in the magnificent voice—a sudden shake and tremble, having the same effect upon the singing which a start would have upon the frame. Agnes looked round eagerly to see the cause—there was no cause apparent—and no change whatever in the company, save for the pale spasmodic face of Lord Winterbourne, newly arrived, and saluting his daughter at the door.
Was it this? Agnes could not wait to inquire, for immediately the music rose and swelled into such a magnificent burst and overflow that every one held his breath. To the excited ear of Agnes, it sounded like a glorious challenge and defiance, irrestrainable and involuntary; and ere the listeners had ceased to wonder, the music was over, and the singer gone.
“A sudden effect—our young performer is not without dramatic talent,” said Mr Agar. Agnes said nothing; but she searched in the corner of the sofa with her eyes, watched the side-door, and stole sidelong looks at Lord Winterbourne. He never seemed at his ease, this uncomfortable nobleman; he had a discomfited look to-night, like a man defeated, and Agnes could not help thinking of Charlie, with his sudden enmity, and the old acquaintance of her father, and all the chances connected with Aunt Bridget’s bequest; for the time, in her momentary impulse of dislike and repulsion, she thought her noble neighbour, ex-minister and peer of the realm as he was, was not a match for the big boy.
“Agnes, somebody says Lord Winterbourne is her father—Rachel’s father—and she cannot bear him. Was that what Mrs Edgerley meant?” whispered Marian in her ear with a look of sorrow. “Did you hear her voice tremble—did you see how she went away? They say she is his daughter—oh, Agnes, can it be true?”
But Agnes did not know, and could not answer: if it was true, then it was very certain that Rachel must be right; and that there were depths and mysteries and miseries of life, of which, in spite of all their innocent acquaintance with sorrow, these simple girls had scarcely heard, and never knew.
CHAPTER IV.
MAKING FRIENDS.
The next morning, and the next again, Agnes and Marian vainly sought the little bower of willows looking for Rachel. Once they saw her escape hastily out of the shrubbery as they returned from their search, and knew by that means that she wished to avoid them; but though they heard her sing every night, they made no advance in their friendship, for that was the only time in which Rachel was visible, and then she defied all intrusion upon her haughty solitude. Mr Agar himself wisely kept aloof from the young singer. The old gentleman did not choose to subject himself to the chance of a repulse.