“Only this, miss,” said Betsy, “as it’s the first laugh as has been heard here for weeks and weeks, and I don’t like it neither, seeing as missis is in her grave only a fortnight to-day.”
“I think you are a very good girl,” said Cicely: and with that the tears stood in that changeable young woman’s eyes.
No Betsy that ever was heard of could long resist this sort of treatment. “I tries to be, miss,” she said with a curtsy and a whimper. “Maybe you’d like a cup of tea?” and after following them suspiciously all over the house, she left them at last on this hospitable intent in the fading drawing-room, where they had both enshrined the memory of their mother. Another memory was there now, a memory as faded as the room, which showed in all kinds of feeble feminine decorations, bits of modern lace, and worked cushions and foolish foot-stools. The room was all pinafored and transmogrified, the old dark picture-frames covered with yellow gauze, and the needlework in crackling semi-transparent covers.
“This was how she liked things, poor soul! Oh, Mab,” cried Cicely, “how strange that she should die!”
“No stranger than that any one else should die,” said Mab, who was more matter of fact.
“A great deal stranger! It was not strange at all that little Mary Seymour should die. One saw it in her eyes; she was like an angel; it was natural; but poor Miss Brown, who was quite happy working cushions and covering them up, and keeping the sun off the carpets, and making lace for the brackets! It looks as if there was so little sense or method in it,” said Cicely. “She won’t have any cushions to work up there.”
“I dare say there won’t be anything to draw up there,” said Mab; “and yet I suppose I shall die too in time.”
“When there are the four walls for Leonardo, and Michel Angelo and Raphael and poor Andrea,” said the other. “How you forget! Besides, it is quite different. Hark! what was that?” she cried, putting up her hand.
What it was soon became very distinctly evident—a feeble little cry speedily joined by another, and then a small weak chorus, two voices entangled together. “No, no; no ladies. Harry no like ladies,” mixed with a whimpering appeal to “papa, papa.”
“Come and see the pretty ladies. Harry never saw such pretty ladies,” said the encouraging voice of Betsy in the passage.